Anthony Andreas de Meijier Art

'Fall Fog, Approaching'. Contemporary landscape painting, Cornwall Original Artwork, Unframed _________________ Heavy skies moving in over the autumnal landscape of West Cornwall: a ...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

French school early 20th century  View of the Grosbois castle and a portrait study. Black ink, black ink wash and watercolor on paper Signed lower right (indistinct, see photo) 27 x ...

Attributed to Felix Ziem and painted circa 1900. Bearing signature, lower right, 'F. Ziem' for Felix Francois Georges Philibert Ziem (1821-1911) Framed dimensions: 13.75 x 18 x .75 ...

View of Paris: The Hotel de Ville banks and the statue of Etienne Marcel under Snow Watercolor Signed E. Galien Laloue, circa 1910-1920 Appraisal by Mr Noé Willer. (Will figurate in...

Watercolor on art paper framed and signed Total size with frame: 52x40 cm Albert Nyfeler (September 26, 1883 in Lünisberg, † June 14, 1969 in Burgdo...

This enormously impressive architectural study was created for a church's renovation in a suburb of Paris. These sketches of the St Pierre church in Avon, Seine et Marne Departement, near Paris are for the restoration of the front porch. The artist created the drawing using watercolor, ink, and sepia pencil. On the lower center bottom, you have the drawing of the porch itself, on the left side a close-up of the underside of the framework, and on the right side the same framework views from above. The top left corner shows a quoted plan of the porch. In the lower right-hand corner a handwritten dedication that says "To my old mate and pal. A fond recollection of school." Maurice Lambert's signature is after the dedication. The study is ornate with a classic wood frame with glass protection. The frame has some little wear, but otherwise, the artwork is in wonderful shape. Please check the last three pictures for views of the original building. Measurements: With frame: 40.94 in wide (104 cm) x 27.56 in high (70 cm). View: 38.98 in wide (99 cm) x 25.59 in high (65 cm). Note: Listed as a Historic Monument in 1840, the Saint-Pierre d'Avon church (77) was built in the 12th century, its bell tower in the 13th century, and the choir and the portal in the 16th century. The porch where parish benefactress Madame de Maintenon...

"Since my early childhood, nature has had a profound affect on me in ways that I cherish. The state of mind that is instilled within me when walking through the woods, or on a seclud...

Stone Steps by the River - Late 1800s Watercolor on Paper Dramatic and detailed landscape by Lucy Ellen Cooper (British, 1853-1929). On the right side of the composition, a set of t...

Claude Muncaster (British, 1903-1974) Cowdray ruins, West Sussex Pencil and watercolour 12.1/2 x 9 in. (31.7 x 22.8 cm.) Provenance: Garton & Cooke, New Bond Street, London Exhibitio...

English Mansion by the Cemetery - Late 1800s Watercolor on Paper Dramatic and detailed landscape by Lucy Cooper (British, 1853-1929). A large home is shown on the left, with a red r...

Signed lower right, 'H. Hammond' for Horace Murray Hammond (British, circa 1879-1966) and dated 1921. A luminously painted, bucolic view of harvest time in England with the lilac of the evening casting a soft light over the contented horses and loaded hay-cart, as the harvesters come to the end of their day's labors. Son of the noted landscape painter, Robert John Hammond, Horace Hammond was born and raised in Warwickshire. In 1927, he moved, first to Worcestershire and then to London. Over the course of a long and successful career, Hammond exhibited widely, including at the Royal Birmingham Society of Artists, the Walker Art Gallery in Liverpool and at London's Royal Academy, among numerous other locations. A well-listed painter...