Anton Nelson Furniture

A superb pair of late 19th century Austrian polychrome terracotta busts by Friedrich Goldscheider, both figures stamped to the reverse. This pair of busts are in excellent original c...

French Art Nouveau sculpture with a clock decorated with a pair of women rejoicing in the season's harvest. In great condition. Sold as is...

19th century Italian alabaster bust. Well sculpted antique Italian alabaster or marble bust of a classical female mounted on a plinth. This is a beautifully detailed antique alabaster bust...

Fabulous antique alabaster bust of a young girl holding a small bird. The details are amazing and the young girl has a beautiful smile as she po...

Late 19th century French Fabric Bust. Antique bust found in Paris was a shop display and is now a fantastic object with a rich and gorgeous patina. Tur...

19th century Italian Sculpted Alabaster Bust Of Apollo, the Greek god of art, medicine and music. White alabaster bust is intricately sculpted with the Greek god peering to his left,...

Finest workmanship bust with original and beautiful patina from an important Belgian sculptor 'George Van der Straeten.' This stunning bust depicts a beautiful young lady with a big...

CESARE CONSTANTINO CERIBELLI Italian, 1841-1918 "Bust of a Young Woman" Polychromed and chemically patinated bronze signed to the reverse shoulder "C. Ceribelli" raised on origin...

FREE WORLDWIDE SHIPPING LEGENDARY JAPANESE MINOGAME From our Japanese collection, we’re pleased to offer this Meiji period silvered bronze minogame Okimono by Ryūbundō. Cast in si...

Beautiful terracotta bust from the factory of Friedrich Goldscheider from the art nouveau period. Girl with flowers. Polychrome terracotta It represents a female bust with her head t...

Hand curved Art Nouveau white marble bust of a young woman. Her elaborate hat framing a beautiful face. The style of clothing of the late 19th century Art Nouveau period. The bust rest on a round marble pedestal...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...