Antonio Acquaroni was a copper draftsman and engraver. Friendship with his fellow citizen and contemporary L. Calamatta, who moved to Rome as a very young man, a friendship that lasted until Calamatta's first visit to Paris in 1823, had no professional importance. He was a pupil of F. Giangiacomo. There, Acquaroni gave himself to the illustration of Rome, he was said to see the city "with the sixths in his eyes," and it was impeccable in terms of documentary fidelity. For this reason, when the chalcography chambers wanted to enrich his background with Roman views, he called him to be part of his ordinary collaborators. There, Acquaroni systematically shied away from the deep bites, and when he wanted to shade, as in the piranesiggiante series of Ancient Bridges on the Tiber and on the Aniene released in 1836, it did so extremely sparingly. In addition to the engravings already mentioned and other sporadic, a series of small-format Views of Rome and a monumental series of Fountains of Rome (started in 1837), three prints of which were described by F. Hermanin, together with a fourth due instead to Giovanni Acquaroni. Of particular interest is the sea horse fountain in Villa Borghese and the Fontanone dell'Acqua Felice. Of them, it is still a great illustration of the Port of Civitavecchia. The two great books, later passed to the Moraldi collection, in which he ordered his best watercolor drawings with views of Rome, are also to be remembered. Its branches are mostly kept at the National Chalcography of Rome. Acquaroni died in Rome in 1874.
Ponte di Mammea (today Ponte Mammolo) - Original Etching by A. Acquaroni - 1836
By Antonio Acquaroni
Located in Roma, IT
The original artwork Ponte Mammea oggi Ponte Mammolo is an etching on copper, drawn and engraved by the artist Antonio Acquaroni (signed Aquaroni), for the print series Ponti antichi...
Etching
Notre-Dame Cathedral from the Seine
Located in Middletown, NY
Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...
Etching, Drypoint
A Wooded River Landscape; Entry into the Wood
By Anthonie Waterloo
Located in Middletown, NY
A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...
Laid Paper, Etching
Un coin de cour
By Charles-Emile Jacque
Located in Middletown, NY
Paris: Sarazin, 1865. Etching with engraving on Chine collé mounted to wove paper with a false platemark, 5 3/8 x 4 1/4 (137 x 108 mm); matrix 12 1/4 x 16 3/4 inches (312 x 425 mm),...
Handmade Paper, Engraving, Etching
$5,875
H 28.88 in W 37.25 in D 1.25 in
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Etching
$3,875
H 24.38 in W 31.75 in D 0.75 in
Ancient Roman Architecture: Original Framed 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Etching, Engraving, Drypoint
View of the Meuse near Jupille
Located in Middletown, NY
An atmospheric perspective of the Meuse (Maas) river valley near the Belgian section of Jupille (now part of Liège), a region heavily frequented by landscape artists of the era for i...
Handmade Paper, Etching, Drypoint
$3,975
H 31.25 in W 40 in D 1 in
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Etching
L'Hiver
By Charles-Emile Jacque
Located in Middletown, NY
Paris: Sarazin, 1865. Etching with engraving on Chine collé mounted to wove paper with a false platemark, 3 5/8 x 6 (92 x 152 mm); matrix 12 1/4 x 16 3/4 inches (312 x 425 mm), full...
Handmade Paper, Etching
Le Matin
By Charles-Emile Jacque
Located in Middletown, NY
Paris: Sarazin, 1865. Etching with engraving on Chine collé mounted to wove paper with a false platemark, 3 5/8 x 6 (92 x 152 mm); matrix 12 1/4 x 16 3/4 inches (312 x 425 mm), full...
Handmade Paper, Etching, Engraving
$1,250
H 34 in W 43 in D 2 in
"Moses Strikes the Rock" Louvre Museum Etching Late 19th Century
Located in San Francisco, CA
Moses Strikes the Rock Louvre Museum Etching Late 19th Century Remarkable detail in this fine etching done by the Louvre in Paris. The Louvre has the largest collection of original ...
Etching
The Fool, by Art Werger
By Art Werger
Located in Palm Springs, CA
Medium: Color Etching with aquatint Year: 2024 Edition: 25 Image Size: 24 x 18 inches Signed, titled and numbered in pencil by the artist Dramatic etching of high wire walker Philip...
Etching, Aquatint
Julian Trevelyan, Windsor, etching and aquatint
By Julian Trevelyan
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...
Etching, Aquatint