Armand Rottenberg Interior Paintings

Worked in black and white on a greige background, each piece is made with fabric that is glued and painted. Musical rhythm, each piece of fabric takes us to the next and the eye wan...

Abstract expressionist library with colorful books. Worked in oil and with a knife, the subject ends up disappearing in favor of abstraction, the colors are soft but vibrate a lot. S...

With Literary Imprints, Sophie Dumont offers a poignant reflection on collective memory and the enduring presence of books in human history. This abstract composition, created throug...

In "Mémoire d'Atelier", Sophie Dumont encapsulates the spirit of artistic creation, drawing the viewer into the intimate environment of the artist's workspace. Through the use of abs...

Psychedelic Abstract Interior in Oil on Paper Moody abstract by Jennie T. Rafton (American, b. 1925). There is a figure in the upper left corner of this piece, looking out over the scene. There appear to be architectural elements such as windows, doors, and stairs, but the composition is highly abstracted, bordering on psychedelic. Of particular note are the symbols inscribed into the yellow shape in the lower left corner. Inscribed in the lower right corner and acquired with a collection of the artist's work. Presented in a new white mat. Mat size: 20"H x 16"W Jennie T. Rafton (American, b. 1925) is a well-known California artist, primarily for her abstract compositions. She and her husband Michael were ardent supporters of the arts, especially the Oakland Symphony Guild. Exh: 1982 - Magnin Gallery (solo), Walnut Creek...

Susan Washington seamlessly blends modern textiles, delicate threads, and captivating vintage pattern paper to create her mesmerizing mixed-media, abstract collage works. Through her masterful technique, she produces surfaces that are richly layered with textures and adorned with expressive line work, resulting in artworks that are both visually stimulating and aesthetically satisfying. Drawing inspiration from the early Synthetic Cubists, Abstract Expressionists, and the esteemed St. Ives School of Painters, she pushes the boundaries of her craft, forging a distinct artistic path that is both innovative and thought-provoking. This one-of-a-kind 48-inch tall by 36-inch wide oil artwork on canvas is wired and ready to hang. It bears the artist's signature on the front and back and comes with a certificate of authenticity from the art gallery. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. Hailing from the vibrant artistic hub of Brooklyn, Susan Washington was raised in a creative family that fostered her innate talent from a young age. At the tender age of seven, her Japanese godmother imparted to her the ancient art of sumi ink painting, igniting a lifelong passion for art and fashion. With a solid foundation rooted in both disciplines, Washington honed her skills within the bustling fashion industry of New York City for over 15 years before finding her home in the serene Pocono Mountains. “My recent work continues the exploration of shapes that originate in tailoring pattern pieces,” says Washington. “My works over time have become more structural in their compositions. I utilize textile cutouts that have been previously sewn and/or painted. I allow threads and frayed edges to act as ‘painterly’ gestures within a loose grid of contrasting shapes that jostle for position across the canvas. I enjoy the tensions where shapes meet and create negative space or where color overlaps and interacts.” Washington's modernist approach to Cubist-inspired artworks has gained international recognition for asymmetrical geometric elements that combine to form a complex, layered composition. Her artworks have been exhibited and collected internationally, including in New York, Los Angeles, and Shanghai. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, NYC 2017-23 Artspace Warehouse, Los Angeles, CA 2021 Boom! Nitro Gallery Art She Says Solo Exhibition Affordable Art Fair Muriel Guepin 414 Light Exhibition Spring Exhibit at Muriel Guepin Gallery NYC 2019 SOFA CHICAGO with Inspired Interiors Affordable Art Fair NYC Market Art & Design Hamptons NY White Room Gallery All The Pieces 2018 Banana Factory Arts Center Bethlehem, PA Lachaise Gallery at Cedar Crest University Connexions Gallery Easton, PA Brick & Mortar Gallery Easton, PA 2017 Affordable Art Fair New York, NY 2016 Cherry Bomb...

Nicely painted mid century abstract oil painting by Ken Munowitz. Oil on canvas. Framed.

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

"In the Studio" is a compelling exploration of the artist's workspace, where the tools of creation are celebrated as subjects in their own right. Sophie Dumont captures the essence o...

This painting offers a captivating immersion into the vibrant and creative atmosphere of an artist's studio. The shades of blue and green used by Sophie Dumont create a rich and harm...

Annamarie Dzendrowskyj Fleeting Moments IV Original oil painting, Abstract art, Contemporary monochrome painting. Oil on Linen Canvas size 23.5cm x 41cm x1 Sold as stretched canvas. ...

"Composition Intérieure" is an exceptional piece by contemporary artist Sophie Dumont, created with oil on a 60 x 60 cm (23.62 x 23.62 in) canvas using a palette knife technique. Thi...