Arthur Wardle

‘Vigilance, Loyalty, and Devotion’ by Arthur Wardle R.B.C. R.I. (1864-1949). Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exe...

Arthur Wardle (1864–1949) Study of two collies signed and inscribed 'Arthur Wardle to G.H.Proctor Esq' (upper right) Oil on board Painting size 16 x 13 in Framed size 19 x 16 in Pro...

A very attractive pair of early 20th century studies of Cheetahs by the British wildlife artist Arthur Wardle. Arthur Wardle was an animal painter who exhibited at the Royal Academy...

Arthur Wardle (British, 1864 - 1949) Signed: Arthur Wardle (Lower, Right) " The End of The Day " Oil on Canvas 18" x 26" Housed in a Period 3 3/4" Ornamented Frame with a 1 1/2"...

"Unawares" A Fox Hound & Labrador Retriever Puppy, 19th Century by Arthur Wardle (1860-1949) to $280,000 Large 19th Century study of a fox hound being snuc...

The Favourite Pet by Arthur Wardle (British 1864-1949) signed lower right oil painting on wood panel, framed framed: 9.5 x 7.5 inches provenance: private collection, Yorkshire, Engl...

Arthur Wardle (1860-1949) A Dachsund signed ‘Arthur Wardle’ (upper left) oil on canvasboard 11 ⅝ x 15 ¾ in. (29.5 x 40 cm.) frame 16 x 20 ⅛ in. (40.7 x 51.1 cm.)

This original oil painting by Arthur Wardle, dated 1885, is presented and supplied in a mid 20th century frame. The frame dimensions are 62.5cm high x 87cm wide. The visible painting dimensions are 49cm high x 74cm wide (19.29inches high x 29.13inches wide). The painted surfaces and canvas have benefitted from some restoration including two small hole repairs, cleaning and conservation, which took place in 2017 on our instructions. The repairs are permanent and have been professionally performed by a recognized conservation restorer. The repairs are not visible from the front but are evident on the rear. The painting is signed and dated lower left. Arthur Wardle was a highly successful artist whose works continue to be sought after and have been widely reproduced on postcards, books, cigarette cards, calendars and even boxes of chocolates. He also produced the famous WW1 recruitment poster ‘The Empire needs Men!’. He was largely self-taught and received no academic training, yet became one of the pre-eminent animal and sporting painters of his generation. He is particularly well-known for his paintings of dogs. Born in London, Wardle was just sixteen when he had his first piece displayed at the Royal Academy. This was a study of cattle by the River Thames, and was a good indication of what was to be a lifelong interest in painting animals. He painted a variety of animal subjects with equal skill but his work may be divided into mythical, domestic and exotic. He visited London zoo regularly where he would tirelessly sketch on the spot studies of exotic animals and birds from overseas, such as elephants, leopards, polar bears and tigers, and these would prove highly inspirational and significant subjects for his large mythological scenes, which basically sealed his reputation as an outstanding animal artist as well as a painter of historical subjects. His sporting scenes are now particularly valued. He is considered equally proficient in oils, watercolours and pastels. In 1880 Wardle lived in Oakley Square, Camden, but artistic success enabled him to move to the more fashionable 34 Alma Square in St John's Wood by 1892. By 1936 Wardle had moved to West London. Wardle was elected to the Pastel Society in 1911 and became a member of the Royal Institute of Painters in Water Colours in 1922. In 1931 he held his first one-man exhibition at the Fine Art Society and in 1935 the Vicar’s Gallery put on an exhibition of his work. He exhibited 21 works at the Royal Academy from 1880-1935, and more than 100 up to 1936. He also exhibited at the other principal British galleries and in Paris. Wardle undertook many commissions for owners of pure bred dogs. Among Wardle’s best-known dog paintings are those he completed for the owner of the famous d’Orsay Smooth Fox Terrier...

Fine example of Wardle's work. Presumably a commission piece. Painted on prepared canvas laid on board. Original Frame Image 15.5" x 14"