Artistian Made

This necklace is the perfect union of uniqueness and spattacularity. It is composed of a strand of deep red Mediterranean coral cut into branches 64 cm long, ranging in size from 1 c...

This single-strand jadeite necklace is composed of seventy three graduated jadeite beads of bright emerald green color and very good translucency, measuring 5.2 to 9.9 mm. The clasp is mounted with diamonds. 61 cm long 55.85 grams Provenance — purchased at Wheatley Antiques in London. Stand 106, Grays Antique Market...

This recumbent celadon jade horse has its head turned backwards to look at a small monkey clambering up its hind quarters clasping the mouth of the horse. Its strands of hair are finely carved. This piece is a celadon jade carving with russet mottling and veining. Horse and monkey carvings...

Carved out of white and yellow-toned jade, this beautiful mythical beast rests on its four limbs like a lion in the Serengeti. Each limb is given finely-carved claws and a round pad on the paw. On its head, one can see intricately carved teeth, nostrils, a goatee, and a mythical cloud-like pattern above its eyebrows. Notably, there is a half-dome extrusion representing a third eye positioned between the eyes. Nine ridges of the spine run along the back with finely-carved fur on each side. The three-tipped tail curls up toward the head. Its surface is exceptionally polished with a patina. The bottom of the jade beast has multi-layered ivory-colored inclusions. Historical References: Compare this jade mythical beast to similar 18th century pieces from the Metropolitan Museum in New York. In this 18th century lion and cub, notice the similar shape of ears, hair and ridges along the spine, and the cloud-patterned eyebrows. The distinct ears of our jade beast can also be seen on this 18th century jade beast too. Pictures attached. In addition, please examine this 18th century jade lion...

This recumbent white jade beast has its large head turned to one side. The creature has large, tear-drop-shaped, bulging eyes framed by curling-down eyebrows. Notably, there is a ...

Swedish artist Pia Wallen made this modern bold black overlapping-discs link bracelet from her signature thick 100%-wool felt, which is assembled with silver round hardware for interior snap closure at the one signed "PW". Like Surrealist-artist Meret Oppenheimer's famous use of fur on a bracelet interior for Elsa Schiaparelli, Wallen's snug sheep-hair cuff...

These elegantly formed chairs include arched, humpback top-rails supported on eight round posts extending to the back legs, with a matching series of five posts on either side bracing the arms. The arms step down and run parallel to the floor. The feet are joined by stretchers and a shaped foot-rail with a narrow apron. The chair rests on square legs. Due to its age, the original woven cane seat has been worn and removed. The listed item has no seat. Qing Dynasty chairs...

In the 1990s when the Dutch collective Droog introduced international leaders of late 20th-Century functional art such as Ron Arad, Marcel Wanders, Jurgen Bey, Hella Jongerius, and Tejo Remy, the Netherlands-based brand was one of the most successful producers of conceptual design. The collaboration was co-founded in 1993 in Amsterdam by the jewelry and product designer Gijs Bakker (b. 1942), who commissioned his protege French artist Frederic Braham in 1998 to create this one-of-a-kind brooch for his young Droog-represented jewelry line "Chi ha paura...?". The Italian phrase means "who is afraid of?". This natural satin-lustre South Sea black-Tahitian 15 x 10 mm baroque thick-nacred pearl, which is bezel-set in oxidized sterling on a sharp silver stud for push-back fastening as a lapel or tie pin, is surrounded by a removable textured gold disk brooch with the Chiapaura maker's mark, artist's signature, abbreviated year and assay symbol. Notably, while farmed pearls from this French-Polynesian region are scarce, it is rarer to find one over 12mm. This dark gray one is also exceptional for its desirable secondary tone of peacock green with minimal surface imperfections. From normal use, the unseen back of the disk is missing chips of ecru enamel where it contacts the fastening knob. This reveals that the disk is solid gold. Like other functional conceptual design represented by Droog, the brooch is more than a beautiful piece of fine jewelry featuring multiple contrasting elements, as it could be a provocative "third nipple" if worn on a tie or scarf. Given the Dutch origin of the brand, we recall the famous 15th-Century oil-painting by Johannes Vermeer, known as "Girl with a Pearl Earring". Who is afraid of girl or boy with a third nipple? We acquired this brooch from a jewelry collector who had purchased it from the Italian gallery...