Astrid Ritmeester Paintings

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

William Hughes British, 19th Century Still Life of Apples, Grapes and Insects on a Garden Ledge, circa 1870 Oil on panel Monogrammed lower right A richly coloured and finely observ...

Carrie Goller's (US based) "Guiness" (2024) is an original, mixed media painting using encaustic on wood panel which features a side portrait still-life of a sheep. Born and raised ...

Carrie Goller's (US based) "Romantical" is an original, handmade oil painting that depicts a hummingbird hovering above white orchids. This piece is unframed yet ready to hang. Born and raised on Washington’s tiny Bainbridge Island, artist Carrie Goller recalls being advised as a child to pursue a career in fine art. After an early career as a paralegal, a life-changing experience led her to become a serious and dedicated artist. Once I finally indulged my need to create art, the door was opened and I haven’t looked back. I’ve been making up for lost time; a bit obsessed. Art is now a necessity for me. I find true expression and balance in that world, says Goller. Goller is inspired by simple, sensuous organic forms and the realm of colors, shapes and textures found in nature. Her thoughtful approach to subject matter can be evidenced from her tender still life work, along with a passion for rendering impressionist oils of daily life. From her Bainbridge Island and Hood Canal...

Carrie Goller's (US based) "Good Morning" (2024) is an original, mixed media using encaustic and oil on wood panel that depicts a hummingbird and a bumblebee flying towards a sunflow...

Ben-Zion (1897-1987) Flower Piece with Black Vase Oil on board, Hand signed 'Ben-Zion ' lower right, with the artist 's label and label from Duveen-Graham gallery, NY. 16 x 7 3/4 in., unframed as intended, Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. Over the course of the group's existence, seventeen artists exhibited as members of The Ten at nine different shows. The group's nine shows were held at galleries and locations around New York City, including one international exhibition in Paris. David Burliuk, Lee Gatch, John Graham, Earl Kerkam, Karl Knaths, Edgar Levy, Jean Liberté...

Oil on wooden table realized by Luigi Granetto in 1998. Hand signed. Includes a wooden frame realized by the artist cm. 50x60.

Lindsey Kustusch's "Roses in Bloom" is a compelling handmade original oil on wood panel artwork, measuring 16 x 20 inches. This 2025 piece is a primary market item, arriving for Kust...

Mixed-Media / Oil Painting / Illustration / Pop and Contemporary Pop / Human Figure / Chess / Comic Books / Video Games / Representations of Everyday Objects / Illustration / Interiors / Figurative Art / Outsider Art / Pop Art From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Chess with a Comic Collector" is an incredible figurative, pop surrealist piece made with oil and acrylic and a PLA plastic filament drawing affixed to wood panel. The 3D piece features a "a bearded and bespectacled young man, beer bottle close at hand, cut-outs of the Incredible Hulk...

Spree on Fire by Keith Garcia Acrylic on panel The artist's classic highly detailed knolling style narrative painting, this one includes all of the fixings for a perfect heist -- th...

Oil, graphite, clay on panel. Abstract mixed media work on panel. Images include text, still life and figurative elements. White tones, aqua and red. Dimitri is noted for his use o...

Signed "Pernet" in the lower right corner. Dimensions with frame: 43,7 x 41,5 x 5,3 cm. This expressive Modernist still life presents an abundant arrangement of dark purple grapes, ...

Carrie Goller's (US based) "Earth Sky Sea" (2024) is an original, mixed media using encaustic on wood panel that depicts an abstracted transition from earth, water, and sky. Born an...

Still Life is a superb original oil painting on panel, realized by the Italian artist Vincenzino Volò, best-known as Vincenzino dei Fiori (Rémondans, 1620-Milan, 1671) around 1640-1660. Original Title: Natura morta di fiori entro vasi biansati (Still life of Bouquet in two-handled vases). On the back of the panel, two labels are glued "da Milano", "A Piacenza", ("from Milan" "to Piacenza"). The labels indicate a transfer of the artwork, perhaps in the first half of the twentieth century, from Piacenza to Milan. While instead the style and technique make us understand the artwork was commissioned or created in the Milan of Federico Borromeo, archbishop of Milan from1595 to 1630. The author of the painting can be identified in the person of Vincenzo Volò, a talented artist who fell into oblivion, recently rediscovered and appreciated. Founder of the Vincenzini family, he was born in Franche-Comté in 1620 (in the past its birth was erroneously fixed to 1606). In the mid-forties of the seventeenth century he arrived to Milan, and held a leading artistic role: he was the founder of a family workshop that imposed his style and strongly influenced Milanese collecting with his still lifes and influenced generations and generations of painters. Vincenzino also was the first painter of still life to work on the Bella Island for Vitaliano VI Borromeo and collaborated with well-known figure painters such as Francesco Cairo, Scaramuccia, Nuvolone and Fumagalli. As regards the style, the archaic tendency of Lombard painting of still life from the early decades of the seventeenth century is clearly evident, looking at primitivism and the happy schematization of the composition of the artwork. The dating of this artwork could be fixed around the first half of the seventeenth century because it is confirmed by the type of support, a wooden panel, always used by Vincenzino. As for the subject, Volò generally painted bouquets of flowers in two-handled vases placed on transversal planes seen from the front. It is possible to compare this work with other Dei Fiori's artworks: the pair of Flower Vases...

In this cinema noir , comic strip series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that a...