Atelier Linné Side Chairs

Single side chair from France completely upholstered in a lush emerald colored green velvet. The four tapered legs are also covered in the green velvet. This piece is in very nice vi...

These chairs belong in a museum. Originally designed in 1929 as the "Siège à Dossier Basculant". The chair made its grand public debut at the prestigious 1929 Salon d'Automne in P...

The Valun chair embodies the enduring power and majesty of nature, drawing inspiration from the timeless strength of a stone that retains its form despite the pressure of time. Thou...

"Fireside" Chair Gio Ponti Manufactured for Casa E Giardino Milan, Italy 1930's Rush Seat with Oak of Beech Wood Frame. "Chair is in good "original" as foundation condition. Chair...

Bruno Modern dining chair in Exotic Argentine Rosewood and Leather by Costantini Design - Quick Ship Measurements are 21" D x 19" W x 32" H with a 18" Seat...

A lovely low back Windsor armchair in great form and colour. Solid wood construction with round seat in Elm, the chair has a low curved back leading wide splayed arm on turned bobbin spindles...

Oak and rush fireside chair attributed to Charles Dudouyt, featuring the designer's characteristic low-slung profile and boldly turned oak frame. Four substantial cylindrical legs ar...

18th century nantucket fireside ladder back side chair, circa 1780 or earlier, having characteristic ball finials atop sausage and ball turned standards, holding three shaped back sl...

1920s Armchair by Gino Maggioni for Atelier Borsani Varedo new leather upholstered in veneered walnut, wax polished. Measures cm: H 37/62 x W 62 x D 44.

A fireside chair with a structure in black lacquered beech wood and a seat in hand-woven rush. This iconic fireside chair was designed by Gio Ponti in 1939 and produced by Casa & Giardino during the 1950s. The peculiar look of this chair is due especially to the high sculptural back, which presents beautifully carved details and a rustic seat in a natural hand-woven rush. Literature: Domus n. 143, November 1939, pag. 60. Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...

Dudouyt turned chairs with rush seats — sometimes called thrown chairs or spindle chairs — represent a style of Elizabethan or Jacobean turned furniture that had a vogue in late 16th...

A pair of 19th century french fireside chairs.