Atelier Linné Side Tables

This circular side table is surmounted by an inset onyx top, which is bounded by a gilt bronze ring and is set above a mahogany apron. The table stands on three two-column gilt bronz...

Inspired by the Bauhaus era masterful craft, Mexican Design firm Nomade Atelier has created the Lateral side table is an ode to geometric balance, tubul...

Beautiful iconic side table made in full brass and painted glass top in red color. Designed in the 1940s by Osvaldo Borsani and produced in Tecno company in Northern Italy, Varedo. T...

Gorgeous side table manufactured in Germany from Vereinigte Werkstätten in the 1970s. This table is made of materials of high quality and has an absolute striking simple but beautifu...

An unusual and rare egg shell lacquer geometric patterned gueridon, round top with three-legged tulip shaped base. Bold patterns of architectural form grace the circular surface and...

Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops. In 1948 Jacques Chambron left his work as a painter and decorator on the Rue Nollet in Paris, and relocated his family to join Guillerme. The two had met in 1940 while imprisoned by the Germans in East Prussia and bonded over, among other more obvious things, their shared passion for design. In 1949 the pair discovered Émile Dariosecq, a master cabinet maker who had a shop in the city, and who was willing to produce their designs. The three started Votre Maison. The association was destined to be as influential as prolific. Not only did Votre Maison produce over two thousand models during the later half of the twentieth century, it also left an indelible stamp on design of the 50s, 60s and 70s. The company’s output served as a model for a vast field of livable contemporaneous design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House"). Their focus was as keenly attuned to functionality—furniture’s use in daily life—as to the creation of innovative design. For the pair of designers the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to the smallest elements of a space, such as pedestals, shelving, benches, and lighting. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme placed on function and aesthetics, but in the almost paradoxical creation...

Contemporary handcrafted guéridon side table composed of a solid brass structure and designed with an intricate blue mosaic tile tabletop with an oriental zellige design. A choice ...

Beautiful and rare side table or gueridon made in the 1920s in oak marquetry. There is marquetry on the top and also on the base representing landscapes. Very nice quality. Rare ...

Elegant Gothic style hand-hammered iron round gueridon table standing on a tripod base. Spain, 1940s. This wrought iron black painted table has twisted details at the steam and the t...

This side table, made of wood and brass, uses Brazilian contemporary style and is a delicate piece of art work. The base is brass and the table itself has a Brazilian Imbuia wooden v...

Stunning table after Pierre Chareau originally designed for the Club-House of the Beauvallon Golf Hôtel in 1928 . The table has a wooden top, supported by a riveted steel base. Completed in 1928, the Club-House of the Beauvallon Golf Hôtel represented the first major commission for Pierre Chareau in collaboration with the Dutch architect Bernard Bijvoet. The white-painted cement-rendered club-house was an asymmetric structure executed in the prevailing Modernist style, and comprised of a kitchen, a bar-dining area, and an open terrace. With the exception of fully-upholstered seating that was reserved for use in the interior, the majority of furnishings expressed Chareau's creative interest in the use of steel and iron for furniture manufacture. These included a variety of occasional tables and iron-framed chairs with woven cane seats, designed for use on the open terrace. This commission was amongst the first to illustrate the intensive working relationship between Pierre Chareau and the metal-worker with whom he exclusively collaborated, Louis Dalbet. In good original condition, some shrinkage to the circular top. Literature: p.92 Pierre Chareau Designer and Architect published by Taschen Provenance: from the collection of Marion Lambert...

Contemporary tripod side table by Hervé van der Straeten in patinated bronze with a lacquered top. Monogrammed: HV.