Attila Vencel Abstract Paintings

“Dance of Life” From the series “Metamorphoses of the Spirit” This work explores life as continuous movement — fragile, sensual, yet filled with inner strength. Through organic forms...

"Point of Trust" (Part I of a diptych) From the Series: "Between States" "Point of Trust" opens a diptych within the "Between States" series, serving as a visual manifesto of the t...

Some things arrive before they are ready. A branch finds its direction. A petal opens before the light is right. Colour appears where silence was. Frequency I is the beginning of som...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Técnica mixta sobre lienzo Abstract, Impasto, , gestural, geometric abstraction

Oil paint on heavy tar paper. Hand signed and dated verso. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

'Fireflies no. 5', oil on canvas, painted in 2025 by Stephen Henriques. This piece measured 45 1/2 x 45 1/4 inch, vibrant and alive with rhythmic color. Stephen Henriques says “magni...

David Redpath Michie Scottish, 1928-2015 Modern City Scene Oil on board 30 by 40 in, w/ frame 33 ¼ by 43 ¼ in Signed lower right, dated 1955 Son of the painter Anne Redpath, David ...

John Ivar Berg Swedish, 1916-2003 Sunlight on the Water Oil on Canvas 32 ¼ by 38 ½ in, w/ frame 32 ¾ by 39 in Signed lower right John Ivar Berg was a Swedish artist who studied at ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Peggy Reventlow American, 1915-2014 Abstract in Blue Oil on canvas 36 by 48 in, w/ frame 38 ¼ by 50 ¼ in Signed verso Reventlow studied at Le Cours Maintnon in Paris and at Le Coll...

William Walton American, 1909-1994 Courthouse, 1961 Oil on canvas 33 ¼ by 50 in, w/ frame 34 ½ by 51 ⅝ in Signed lower right, titled verso William Walton, the journalist turned painter who chaired the Washington Fine Arts Commission from 1961 to 1971, was born in Jacksonville, Illinois. After graduating from the University of Wisconsin, he pursued a career in journalism, ultimately working with the Associated Press in Chicago and as Time-Life war correspondent during World War II (when he parachuted into France with the 82nd Airborne...