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Barbara Strasen Paintings

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Artist: Barbara Strasen
SPLASH MOUNTAINS, Lenticular, patterned, landscape, mountains, blue, gray
By Barbara Strasen
Located in New York, NY
acrylic on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...
Category

Early 2000s Contemporary Barbara Strasen Paintings

Materials

Acrylic, Lenticular

CITYCITYSCAPES, patterned, landscape, bright colors, buildings
By Barbara Strasen
Located in New York, NY
Acrylic and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Canvas, Acrylic

Flux, neutral beige-colored mixed media collage, abstract
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Paper, Ink, Mixed Media, Acrylic, Board

Jam Traffic, bright pink and purple abstracted mixed media piece
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in combination with signs, symbols and pictures inspired by advertising, TV, film, signage, billboards, magazines, medical texts...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Paper, Ink, Mixed Media, Acrylic, Board

DURER WITH CHERRIES, lenticular, patterns, floral, animals, historical, pink
By Barbara Strasen
Located in New York, NY
acrylic and graphite on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting...
Category

Early 2000s Contemporary Barbara Strasen Paintings

Materials

Acrylic, Lenticular

S-FOURTH, abstract, neutral, interior, figurative, patterned
By Barbara Strasen
Located in New York, NY
Acrylic and organza on Yupo, mounted on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each pain...
Category

Early 2000s Contemporary Barbara Strasen Paintings

Materials

Canvas, Acrylic

TOILE NEURONS, gray, pastel, yellow, blue, patterned
By Barbara Strasen
Located in New York, NY
acrylic and encaustic on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is...
Category

Early 2000s Contemporary Barbara Strasen Paintings

Materials

Canvas, Acrylic

Aviary, neutral abstracted birds, mixed media
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Paper, Ink, Mixed Media, Acrylic, Board

NEEDLEPOINT NEUROLOGY, patterned, pastel, earthtones, texture
By Barbara Strasen
Located in New York, NY
acrylic on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is only a silhou...
Category

Early 2000s Contemporary Barbara Strasen Paintings

Materials

Acrylic, Canvas

S-SECOND, blue, purple, abstract, figurative, bright colors
By Barbara Strasen
Located in New York, NY
Acrylic and Flashe on Yupo and canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Canvas, Acrylic

CONTINENTAL DRIFT, seascape, abstract, blue, turquoise, ocean
By Barbara Strasen
Located in New York, NY
Acrylic and Flashe on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is o...
Category

Early 2000s Contemporary Barbara Strasen Paintings

Materials

Canvas, Acrylic

BIRD TREES, animals, plants, landscape, pink, earth tones, illustrative
By Barbara Strasen
Located in New York, NY
Acrylic, Flashe and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Canvas, Acrylic

S-FIRST, red, figurative, patterned, abstract
By Barbara Strasen
Located in New York, NY
Acrylic and Flashe on linen Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is on...
Category

Early 2000s Contemporary Barbara Strasen Paintings

Materials

Canvas, Acrylic

CHINOISERIE, bright blue mixed media painting on paper
By Barbara Strasen
Located in New York, NY
Acrylic and collage on Yupo paper
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Paper, Acrylic, Mixed Media

Deconstructed, grey abstract mixed media on board
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Paper, Ink, Mixed Media, Acrylic, Board

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Right Where I Left Her
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Nightfall, Acrylic & oil landscape painting, signed, framed, Museum provenance
By Thelma Appel
Located in New York, NY
Thelma Appel Nightfall, 1973 Acrylic and Oil on Canvas. Hand Signed. Framed. Hand signed and titled on the back Unique Frame included Museum Provenance. This work was originally sold in 1973 by the prestigious Jill Kornblee Gallery to a corporate collection, and, in 2019, it was featured in the Thelma Appel 50 year career survey at the Brattleboro Museum in Vermont – so the provenance is superb. Measurements: Framed 38.5 x 89.5 inches Artwork 36.5 x 87.5 inches Thelma Appel Biography: A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been practicing art for more than six and a half decades. In the 1980s, Thelma Appel was represented by the renowned Jill Kornblee Gallery and, after Ms. Kornblee retired, Appel joined the legendary Fischbach Gallery, (the gallery of record for Alex Katz for many decades,) also on West 57th Street, before they shuttered. After leaving Manhattan, she retreated from the art world for several decades; however, in recent years, her work is being rediscovered by a generation of new collectors. A beloved and popular teacher, at 87 years of age, Thelma could still be found teaching “The Art of Painting” at Artsplace in Cheshire, CT. and at the Osher Life Long Learning Institute (OLLI) At the University of Connecticut, near her home during the 2024-5 Fall/Winter Semester. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection, the Bennington Museum in Vermont and the Police Museum in Lower Manhattan. Thelma Appel was born in Tel Aviv, Israel, but following her parents’ divorce, her father remained in Israel, but her mother emigrated to London to pursue a career as a journalist. However, she soon became ill, and Thelma was sent alone to be educated in a Protestant missionary schools in Darjeeling, India, a geographical displacement that would impact her life and her work. Thelma returned to London, England, to study art at the legendary St. Martin's School of Art (later Central St. Martins) and Hornsey College of Art, under such renowned teachers as Joe Tilson and Eduardo Paolozzi, before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. (One of Thelma’s students was the renowned art dealer Matthew Marks.) She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka. She was one of the winning artists of the juried exhibition “Pets of the Pandemic” juried by art historian and critic David Cohen, publisher and editor of artcritical, who cited it for special commendation as a “masterful portrait”. In recent years, Thelma’s work has been exhibited in both one-person and group shows at Alpha 137 Gallery in New York, Sager Reeves (now Sager Braudis) Gallery in Missouri, the Chashama Foundation in New York City, as well as the Five Points Gallery and Center for the Visual Arts in Torrington Connecticut, the David M. Hunt Gallery in Falls Village, CT and Wisdom House in Litchfield Ct...
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Materials

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Cooper Dr. #1
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Previously Available Items
Rococo Modo, bright pink surreal mixed media on board
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Paper, Ink, Mixed Media, Acrylic, Board

Eden Mixup
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
Category

2010s Contemporary Barbara Strasen Paintings

Materials

Paper, Ink, Mixed Media, Acrylic, Board

Beyond the Fence
By Barbara Strasen
Located in New York, NY
Acrylic, ink, and collage on Yupo mounted on museum board. Framed.
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2010s Contemporary Barbara Strasen Paintings

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Paper, Ink, Mixed Media, Acrylic, Board

Barbara Strasen paintings for sale on 1stDibs.

Find a wide variety of authentic Barbara Strasen paintings available for sale on 1stDibs. If you’re browsing the collection of paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Barbara Strasen in acrylic paint, mixed media, paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Barbara Strasen paintings, so small editions measuring 24 inches across are available. Customers who are interested in this artist might also find the work of Sarah Olson, Santiago Fuentes Bo, and Sekhar Roy. Barbara Strasen paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,400 and tops out at $4,100, while the average work can sell for $4,100.
Questions About Barbara Strasen Paintings
  • 1stDibs ExpertApril 5, 2022
    Barbara Hepworth was a British sculptor considered a leading figure in the international art scene. Her work in modernism is still held in high regard, with pieces like “Single Form” and “Two Forms” considered some of her most prestigious work. Shop a selection of Barbara Hepworth’s art on 1stDibs.
  • 1stDibs ExpertAugust 15, 2024
    How much a Barbara Hepworth is depends on its condition and other factors. In 2023, the English artist’s sculpture The Family of Man: Ancestor II sold for more than $11.5 million at a Christie's auction, setting a new record for the artist. Hepworth’s early work reflected her interest in European art movements, particularly Italian abstraction. In 1931, Hepworth began to sculpt her characteristic pierced figures, which tend to be the most highly sought-after examples of her work. If you own a work by Hepworth, a certified appraiser or experienced art dealer can aid you in the valuation process. On 1stDibs, find an assortment of Barbara Hepworth art.
  • 1stDibs ExpertOctober 30, 2024
    Many things happened to Barbara Hepworth. She attended the Leeds School of Art from 1920. There, she met fellow sculptor Henry Moore. From Leeds, Hepworth went on to attend the Royal College of Art (RCA) in London, where she studied from 1921–24. Following her studies there, Hepworth traveled to Italy, beginning in Florence, where she was the runner-up for the Prix de Rome. She lost only to sculptor John Skeaping, with whom she began a relationship. The pair traveled to Siena and Rome and were married in 1925 in Florence. During her time in Italy, Hepworth studied under sculptor Giovanni Ardini and learned how to carve marble. Upon her return to London, Hepworth and Skeaping began to publicly exhibit their work from their flat until their divorce in 1929. Although Hepworth died in 1975, she remains an influential figure in art. In 2015, Tate Britain held the first big solo show of Hepworth’s work since her death, bringing together more than 70 works. On 1stDibs, find a wide range of Barbara Hepworth art.
  • 1stDibs ExpertOctober 30, 2024
    Barbara Hepworth made many of her sculptures at her home studio. From 1939 until her death in 1975, she resided in St Ives, Cornwall, England. Today, her former home and studio are a museum dedicated to her life and work. Explore a wide variety of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertOctober 30, 2024
    Barbara Hepworth worked in a number of mediums. She is best known for her sculptures, which she produced out of clay, bronze, stone and wood. Hepworth also created prints, including serigraphs and lithographs. Find a collection of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertMay 30, 2024
    The font that Barbara Kruger uses is Futura Bold. In 1979, the artist unveiled her first works, featuring a combination of type and image in her signature colors of black, white and red. The phrases that Kruger superimposes onto the imagery in her work are as pointed, direct and authoritative as the visuals, with the best-known examples including I Shop Therefore I Am and You Are a Captive Audience. On 1stDibs, find a range of Barbara Kruger art.
  • 1stDibs ExpertSeptember 16, 2024
    The technique that Barbara Hepworth most often used was direct carving. Pioneered by sculptor Constantin Brâncuși during the early 20th century, this process involves using tools to shape the materials and allowing shapes to emerge naturally. It differs from more traditional forms of carved sculpture, which involve the use of plaster or clay models. On 1stDibs, explore a range of Barbara Hepworth art.
  • 1stDibs ExpertSeptember 16, 2024
    Yes, Barbara Hepworth did use clay. Although early in her career she favored wood and metal, Hepworth expanded her preferred materials in the 1950s, beginning to use not only clay but also bronze to create her sculptures. However, Hepworth famously did not use clay to produce models for her sculptures, preferring to work directly with her materials. On 1stDibs, explore a diverse assortment of Barbara Hepworth art.
  • 1stDibs ExpertOctober 24, 2024
    Barbara Hepworth sculptures have holes in them because the sculptor was interested in how three-dimensional artworks interact with the spaces in which they are displayed. By piercing her wood, stone and metal sculptures, Hepworth allowed light to pass through her works and gave viewers the opportunity to catch glimpses of the settings that lay beyond her pieces. In addition, Hepworth stated that she liked those gazing at her work to be able to see the inside and outside of her sculptures simultaneously. On 1stDibs, find a collection of Barbara Hepworth art.
  • 1stDibs ExpertNovember 4, 2024
    Barbara Hepworth used bronze for a few reasons. Hepworth intended for some pieces to be displayed outdoors and bronze is a weather-ready material. Because it can be melted and poured into a mold, bronze also made it possible for Hepworth to create her distinctive pierced, fluid sculptures, whereas it was more difficult to achieve the same effects with wood and stone. In addition, brass enabled Hepworth to quickly make multiple editions of the same work. On 1stDibs, find a selection of Barbara Hepworth art.
  • 1stDibs ExpertApril 5, 2022
    Barbara Hepworth made her sculptures out of a variety of materials. To create many, she used tools to carve into wood and stone. Her outdoor bronze sculptures like Single Form and Two Forms are particularly well known. On 1stDibs, shop a variety of Barbara Hepworth art.
  • 1stDibs ExpertOctober 30, 2024
    Yes, Barbara Hepworth knew Henry Moore. They met while she was attending the Leeds School of Art in the 1920s. Moore and Hepworth maintained a friendly rivalry throughout their careers. Along with Paul Nash and Ben Nicholson, the two founded the Unit One art movement in 1933. The movement's purpose was to promote avant-garde art in the UK. Explore a wide variety of Barbara Hepworth art.
  • 1stDibs ExpertNovember 20, 2024
    No, Dorothy Hepworth and Barbara Hepworth aren't related. However, both were British artists. Barbara Hepworth was a sculptor known for her direct carving technique and pierced sculptures. Dorothy Hepworth was a painter who created expressive portraits of women. She signed many of her pieces with the name of her longtime lover, Patricia Preece. Shop a collection of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertSeptember 16, 2024
    The group of artists that included Barbara Hepworth was called Unit One. Paul Nash formed the group in 1933 in hopes of bringing together creative minds to promote a modern approach to architecture, art and design. In addition to Nash and Hepworth, the group included John Armstrong, John Bigge, Edward Burra, Wells Coates, Henry Moore, Colin Lucas, Ben Nicholson and Edward Wadsworth. Shop a variety of Barbara Hepworth art on 1stDibs.
  • 1stDibs ExpertSeptember 16, 2024
    The reason why Barbara Hepworth created Madonna and Child relates to her personal history. In 1953, her son, Paul, was killed when his Royal Air Force plane crashed in Thailand. She produced the moving sculpture as a tribute to his memory. Today, the statue is on display in a memorial to Paul at the parish church of St Ives, England. On 1stDibs, explore a range of Barbara Hepworth art.
  • 1stDibs ExpertNovember 20, 2024
    Yes, Henry Moore and Barbara Hepworth were friends. The two met at the Leeds School of Art in the UK and maintained a friendly rivalry throughout their careers. Both Hepworth and Moore were members of Unit One, a group of British artists who sought to educate the public about avant-garde art during the 1930s. Shop a selection of Henry Moore and Barbara Hepworth art on 1stDibs.

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