Bela Kadar Art

Original gouache, probably Belgian for matchbox covers. Mid-20th Century.

A cubist industrial WPA styled oil painting depicting a storage tank compound in the 1930's-40's. Good layering of colors and textures having it original patina worn wood frame signed by the artist in paint to the corner by Joan Hedman...

Sketch for Frescoed Frieze is an interesting preparatory study realized by the artist Paul Bony, a famous French painter active in the last century. The artwork is in good state of p...

An early 20th century art nouveau watercolour of a classical chariot rider and horses by French artist Paul Hogg. Signed and dated 1919 to the bottom right. Presented in a fine custo...

This wonderful painting dated 1970 that has great planes of color and field is by the abstract painter, Philip Perkins. His resume is impressive with early studies in Europe with maj...

Costume Design is an original modern artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed colored gouache on paper. Hand signed on the lower m...

Modernist abstract composition signed Geist. Oil on board, circa 1950. Signed lower right. Displayed in a wood frame. Excellent ready to hang condition.

This sophisticated view of a 1920s cocktail party -- probably taking place on the upper levels of an Art Deco tower in New York or Chicago -- was painted by Robert Patterson, one of ...

Meredith Walker’s "Ochre Rabbit" is a whimsical and serene example of contemporary folk art, blending narrative illustration, primitive symbolism, and the tactile charm of hand-paint...

Rare cubist charcoal painting by Dorothy Sklar. Framed. Most likely dating to the 1930s or early 1940s. Dimensions: 31" x 22.25" frame 22.25" x 14 ...

Susan McDonnell's (U.S. based) "Yearling Black Bear" is an original, handmade watercolor and gouache painting of a young bear peeking behind a tree. The painting is 11 x 15" and with the frame it is 15.37 x 19.87". Artist bio: Susan McDonnell is a realist painter who has recently moved back to Minnesota after living in Southern California for 30 years. Her paintings are narratives inspired by her observations of wild animals in their natural habitats. Albrecht Dürer and Otto Marseus van Schrieck...

If you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaissance, her work can be found in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Brooklyn Museum, the Museum of Fine Arts, Boston, Muscarelle Museum of Art, and The Phillips Collection. I am proud to present an original watercolour painting by the artist which dates from the late 1940s or early 1950s. Jones was born in Boston, Massachusetts to a father who became the first African-American to earn a law degree from Suffolk Law School. Jones's parents encouraged her to draw and paint using watercolors during her childhood. She held her first solo exhibition at the age of seventeen in Martha's Vineyard. He career began in the 1930s and she continued to produce art work until her death in 1998 at the age of 92. Her style shifted and evolved multiple times in response to influences in her life, especially her extensive travels. She felt that her greatest contribution to the art world was "proof of the talent of black artists". Her work echoes her pride in her African roots and American ancestry. In 1937, Jones received a fellowship to study in Paris at the Académie Julian, bringing her to France for the first time. The French were appreciative of her paintings and talent and Loïs Mailou Jones was thrilled at the country’s racial tolerance, so different from her reality in the United States. She summered in France annually from 1945 to 1953, sharing studio with her lifelong friend Celine Marie Tabary in Cabris, France. It was during one of these sojourns that the lovely work presented here was created. Our painting depicts the village of Tourettes sur Loup, just north of Nice, in the Provence Cote d'Azur region, about 14 miles from Cabris. Please note its similarities with her painting "Arreau, Hautes-Pyrénées" in the National Museum of Women in the Arts. Her portrayal of the picturesque village nestled in a valley evokes landscape paintings by Paul Cézanne, a stylistic influence she acknowledged. Over the course of the following 10 years, Jones exhibited at the Phillips Collection, Seattle Art Museum, National Academy of Design, the Barnett-Aden Gallery, Pennsylvania's Lincoln University, Howard University, galleries in New York, and the Corcoran Gallery of Art. In 1952, the book Loïs Mailou Jones: Peintures 1937–1951 was published, reproducing more than one hundred of her art pieces completed in France.At the Barnett-Aden Gallery, Jones exhibited with a group of prominent black artists, such as Jacob Lawrence and Alma Thomas. These artists and others were known as the "Little Paris...