Beni E. Kosh Paintings

Original Painting New Yorker Mag Cover proposal. Army Wedding American Scene WPA Antonio Petruccelli (1907 – 1994) Army Wedding New Yorker cover proposal, c. 1939 11 1/2 X 8 inches ...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is not signed but there is another painting of a m...

A French Impressionist Fauvist Colour-Field gouache and watercolour on paper landscape by Gabrielle Ricard-Cordingley. The painting is signed bottom right. There is another painting ...

Albert Heckman Cubist Landscape Signed lower right Oil on canvas 21 3/4 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to tr...

A Colorful, Dynamic 1930s Modern Boxing Scene by Notable Chicago Artist, Francis Chapin. Artwork size: 2 3/4 x 4 inches, oil on Masonite mounted to original board; accompanied wit...

A Large, Colorful, Modernist Art Deco Cubist Painting, "The Dancers" by Famed Chicago Painter and Printmaker, Charles Turzak (Am. 1899 - 1986). A large, vertical composition relating to the artist's notable 1930s woodcut of the same title. The painting is completed in a vividly textured Cubist style, with striking hues of rich greens and yellows, deep blues and rose pinks. The painting is oiI on canvas mounted to Masonite (artist's original mount), and offers a superb visual appeal. A perfect complement to any Mid-Century Modern home or collection. Artwork size: 38 x 24 inches (Framed size: 38 1/4 x 24 1/4 inches). Signed "Turzak" lower right. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

A striking mid-century modern abstract figurative oil on canvas painting by British artist George Cecil Carter, dating to the 1950s. The composition blends figure and abstraction, cr...

Dancing Figures (Untitled), 1944, oil on canvas, signed and dated lower right, 22 x 34 1/4 inches, presented in its original strip wood frame, from the estate of the artist Ernest Ro...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

A Large, Colorful, Mid-Century Modern Art Deco Painting, "Artifact Contour" by Famed Chicago Painter and Print Maker, Charles Turzak (Am. 1899 - 1986). Titled "Artifact Contour", t...

Mid 19th century watercolour of a rural scene. The painting is not signed but is of very fine quality. Presented in a fine custom gilt frame with a silk and gilt card mount under gla...

Fanciful mid-century modern abstract of trapeze artists by Brooklyn artist Hilda Dora Pape Arp (b. 1909). This 1962 highly abstracted depiction of trape...