Benjamin Poulanges Vases and Vessels

Beautiful white ceramic vase, perfect for showcasing your favorite floral arrangements. Providing a unique perspective from every angle, this handmade pottery vase gracefully blurs t...

Soft resin vase designed by Gaetano Pesce

A very fun MCM powder blue ceramic vase by Hyalyn, circa 1960s. The vase is made of ceramic and is in very good condition with no chips or cracks; it measures 4"D x 11.75"H and is si...

A ceramic vase with glazes decoration by Michel Lanos (1926-2005). Perfect original decorations. 8.7 x 6.7 inches. Artist monogram under the base. Circa 1990-2000. Unique piece. - ...

Ceramic vase BRIX II fully handcrafted in bronze code CA060 measures: - H. 76.0 cm. - Dm. 20.0 cm.

Ceramic cup MARY II handcrafted in bronze, white glazed inside cod. CP114 measures: Height 70.0 cm. - diameter 35.0 cm.

Ceramic cup ANNE II handcrafted in bronze, white glazed inside cod. CP115 measures: H. 90.0 cm. - Dm. 30.0 cm.  

Ceramic vase by Jean Besnard (1889-1958). "Blue-turquoise" enamel colored. Joaquín Molina (2006) "Cerámicas francesas 1880 - 1940. Colección Molina" p. 32, 33 & 48. France, CIRCA ...

'Achromatic Fold in Black II' is a unique sculptural vessel by the British artist Steven Edwards. Steven Edwards is a ceramic artist whose work investigates the language of making t...

Ceramic vase by Boch. Blue color with Craquelure technique. Belgium, CIRCA 1920.

Trish DeMasi Botanica vessel II, 2021 Glazed ceramic Measures: 14.75 x 11 x 10.5 in.

'Abundance II' is a unique ceramic sculpture by the British artist, Jo Taylor. Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceilings, wrought iron and carved stone. Living near the Georgian city of Bath (UK) provides a rich visual resource, although it can be said that she will seek out such details wherever she goes. Regular visits to our larger cities such as Liverpool (UK) and London (UK) offer ornament that can be experienced on a grander scale with their historic buildings such as the Sefton Park Palm House and the V&A holding many further examples. Further afield the architecture of Gaudi in Barcelona, the palaces of Potsdam and the Villa D''Este in Tivoli have all provided inspiration. In her own words: ‘I enjoy the grand gesture present in large scale relief, the drama of deep shadow, the dialogue between space, structure & ornament. The changing light conditions of bright sunlight, a dull day, dusk or artificial light can affect the contrast and way the structure is perceived’ Taylor’s current practise has been evolving since graduation from her MA at Bath Spa...