Bernard Cathelin Art

Beautiful 'School of Paris' artist original stone lithograph limited edition. Signed, and annotated. Paper size: 13 5/8" x 15 3/4". Plate size: 6 1/2" x 9 3/8".

Pablo Picasso (after) "Sylvette De Profil Gauche" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 329/500 lower left From the estate of...

"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century Letterio Calapai (American 1902-1993) ''Labor in A Diesel Plant'' Wood engraving, 1940 17 x 10 1/2...

"Toy Horse Dance" Japanese Woodblock Triptych with Beauties and Mt Fuji Vibrant three-panel woodblock print by Utagawa Toyohiro (Japanese,...

"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...

Wonderful silkscreen of Japanese diarist doll in glass case. Illegibly signed left corner, dated (October 8, 1983) and numbered (2/30). Presented in wood frame. Image size: 20"H x 14...

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring, Abstract Figural Composition, Lithograph on Paper, mid 20th century, two nude figures in dangling hoop, numbered edition ...

Noel Daggett, American (1925 - 2005) - Halfway to Lamey, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Siz...

Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...

A Southern Coastal Landscape by Charles Bisschops. This oil on canvas, signed L. Ch. Bisschops, depicts a southern coastal scene with a beach bordered by trees. Across the bay, mount...

This is an original 19th century duotone lithograph entitled "Minaret of the Mosque El Rhamree" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publish...

'The Boat in Martigues', oil on canvas, by Marie de Nivouliès de Pierrefort (circa 1910). Martigues is a small port town just northwest of Marseille in the South of France. Its nickname is the Provençal Venice. Further eastward down the coast is the town of Toulon where the artist was born in 1879. Nivouliès depicts a charming sailboat tied to the small pier yet with an unfurled sail. It looks to be a wondrous day along the Mediterranean, the kind we can always dream about. The painting is over one hundred years old and is in fair condition, yet recently brought back to life by an art restoration professional. Elegantly framed, it is stabilised now for decades into the future. Signed by the artist on the lower right corner. Please enjoy the many photos accompanying the listing. Upon request, a video may be provided of the artwork. About the Artist: Although she was a direct descendant of the counts of de Pierrefort, Marie de Nivouliès de Pierrefort's (1879-1968) family was very poor. In spite of the poverty, Pierrefort attended a Catholic school run by nuns, obtaining a scholarship from the School of Fine Arts of Paris. While still a student, she attended workshops of great Impressionist masters such as Pierre Auguste Renoir (1841-1919) and Pierre Bonnard (1867-1947). In 1910 she won a travel award from the school and traveled to Tunisia where she painted several Mediterranean landscapes. In 1938 the painter moved to Rio de Janeiro, Brazil, where she painted the beautiful landscapes seen from her window. In Rio, Pierrefort had two individual exhibitions, both at the National Museum of Fine Arts, in the years 1946 and 1956. Although widowed in 1944, Pierrefort decided not to return to France until 1950. She remained there until 1959 when she definitively returned to Brazil. Her atelier in the neighbourhood of Glória was frequented by many emerging artists who learned the techniques of impressionism from her. Afterwards, Pierrefort painted for almost a decade in Brazil until she passed away in 1968 in Rio. After her death, many canvases were found in her studio but had been damaged or destroyed by humidity and by the intervention of her many cats. The painter Sergio Telles...