Bernard Schottlander Table Lamps

Brazilian contemporary table lamp by designer Gustavo Neves Aeon collection The Pedra table lamp Materials: stone (limestone), metal (brass) d...

Postmodern table lamp by Los Angeles lighting designer Ron Rezek, c.1980s. The lamp features a black enameled metal frame and removable black shad...

Icon piece of Spanish design by Fase from 1980s. Model "Bambina". This table lamp is made during the 1980s in Madrid by “Fase”. The name of the manufacturer "Fase" is stamped on th...

They say inspiration comes on like a lightbulb going off in your head. Idea strips away design, leaving the essence of light; a three-dimensional “bulb” and a brass-finish screw base...

Beautiful table or desk lamp Designed by H.T. Huang in ca. the 1980s Taiwan. The light source is integrated within the beak wich is adjustable. The piece ...

Gorgeous Table or desk lamp designed by Original BTC, London model. The aluminum lampshade, matt black on the outside and white on the inside, has a hemispherical shape, which includes the arm or curved chrome-plated steel shaft, run by a spun cable that is intertwined in the structure itself, finished off with a base. circular. Its clean and refined lines bring a retro air to the piece. Seeking to be able to closely control the entire production process of its parts, the company acquired Abbotts Manufacturing, a Birmingham-based metalworks, in 2011. Based in the heart of the country's metalworking industry, the hand of highly skilled work uses centuries-old techniques to weld, form shades, bases and components from sheets of brass, copper and aluminum. Keeps the brand label at the bottom. About Original BTC Original BTC is an English family business, founded in 1990 by Peter Bowles. Design, quality and attention to detail are at the forefront of the products they produce. The 'Davey...

A mahogany and brass table lamp with decorative stone rocks.

Pair of table lamps by Henri Mathieu with structure in steel and aluminum, 1970. Product details Dimensions: 33 W x 60 H x 36 D cm Materials: steel, aluminum Production: French p...

Original vintage Mantis floor light, model BS1B, designed by Bernard Schottlander and manufactured by J T Kalman, Vienna, circa 1956 Black enamelled aluminium shade on a white ename...

Made in Italy, 1980s. It features a white and pink Murano glass base and a fabric lampshade This lamp might show slight traces of use since it's vintage, but it can be considered as...

Classic pedal form decorative table by Rougier, circa 1970s. This lamp is in very fine, original and working condition, it is fully and correctly marked. Organic form white plastic t...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Has been professionally rewired and PAT tested. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...