Bernhard Rohne Prints

Here we offer 2 original vintage handcrafted acid etched brass metal owl and frog art pieces. Both are framed and have the original paper back label with the Models on the reverse. The frog is the symbol of prosperity, and the owl is symbol of the ghost spirit by the Haida Pacific Northwest Coast...

Framed acid etched brass panel by Bernhard Rohne. 32 inches wide by 24 inches high. Signed and dated lower left "Bernhard Rohne 18/100 1. Feb. '78" The title of this work is "Transmutation" and comes from a series of "space" related designs begun for the 1975 gallery opening...

A set of three antique Dutch engravings and etchings from the 18th Century. This set has been professionally framed in newer gilt frames and feature acid-free paper to protect these...

Etching Mark Catesby, Anas Bahamensis (The Ilathera Duck) Chrysanthemum &c T93. Wonderful print by the “Founder of American Ornithology”, Mark Catesby, from his 18th century monumental Natural History, the first natural history of American flora and fauna. A later small edition etching original hand coloring. Plate imprint on the paper. Later frame, back unopened. This is one of the finest natural science prints...

English etching artist proof. The bottom reads as follows: Printed by Henry Fradelle and engraved by Thomas Lupton. Rebecca and Ivanhoe AS THE WOUNDED KNIGHT WAS ABOUT TO ADDRESS THIS FAIR APPARITION SHE IMPOSED SILENCE BY PLACING HER SLENDER FINGER UPON HER RUBY LIPS...

Original David Hockney etching of Celia Birtwell, iconic British textile designer and fashion designer, signed, numbered 13 of an edition of 75, dated 1...

Salvator Rosa, the Italian Baroque painter was also a significant etcher and printmaker. Rosa’s is series of small prints of soldiers was very popular and influential. This etching i...

"Arch dedicated to Hercules" and "Arch dedicated to Bellerophon" Splendid and very rare etchings belonging to a suite of subjects executed for the preparations of the "Celebrations for the entry into Antwerp of the Cardinal-Infante Ferdinando of Habsburg-Spain on 17 April 1635". The sketches for the decorations were all drawn by Sir Peter Paul Rubens and the execution of the etchings was entrusted to Van Thulden. Bottom left: P.P. Rubens. Bottom right: G. Gervatius (who was commissioned to bring together the illustrations of the arches in a special volume) and Van Thulden. Laid paper with watermark - copper imprint - margins - excellent condition. At the end of 1634 Peter Paul Rubens (1577-1640) was invited to make a series of drawings to decorate the city of Antwerp on the occasion of the solemn entry of the infant cardinal Ferdinand of Habsburg (1609-1641) who, after his death of Archduchess Isabella Clara Eugenia (1633), Spanish governor of the southern Netherlands, had been elected as his successor. Generally in these circumstances, the itinerary was articulated through a series of stations and the city - in its main urban hubs - was adorned with decorations and ephemeral apparatuses which, without solution of continuity, covered the facades of the palaces, churches and convents facing the parade axis of the celebratory itinerary, testifying to the participatory role of the various public and private institutions that took part in the feast1. As had happened for the entrances of Charles V in 1520, of Philip II in 1549 and of the archdukes Albert and Isabella in 1599, also in this case, on 17 April 1635, the most important streets and squares of Antwerp were enriched with arrangements: temporary altars, four scenarios, a portico and large triumphal arches built in wood, over twenty meters height, decorated with paintings, sculptures and allegorical scenes. The references to the ancient alluded in this case to the greatness of the Habsburgs and to the merits of Ferdinand for the victory obtained over the Protestant armies of Sweden and their German allies. The choice to use the triumphal arch has its roots in the "city of the popes" and must be read as a connection with the triumphal and modern arches, with Rome and with the "possession" ceremony, placing the emphasis on its centuries-old use . In the elaboration of the drawings and sketches Rubens proved to be a true connoisseur of architecture, but what is most surprising about the artist is the casual use of architectural language and fidelity to sixteenth-century Roman models. In order for the memory of these works to be perpetuated over time, some artists were commissioned to etch the ephemeral apparatuses and, under the guidance of the painter Theodor van Thulden...

A real etching after Rembrandt's masterpiece By Amand Durand Published circa 1900 On good quality wove type paper Unframed.

Serigraph depicting a still lie with colorful pottery and flowers. Pencil signed lower right, numbered AP 24/70 lower left. A table set with colorful decorated pottery and lovely fl...

A wonderful musical themed lithograph and piece of decorative art titled "In Concert" by Edna Glaubman. Artist signature hand signed on the bottom right and signed in the plate. Limited Edition numbered 67/100. Edna Glaubman (1919-1986) influential American female artist who lived and worked in Miami from 1961 to 1986, and was part of the original Coconut Grove...

A fine original color lithograph, depicting women horse riders and dancers will enhance any contemporary or modern setting. Signed by the artist on the lower right, Roy W. Name unidentified. This decorative art piece is Titled " Solstice II". The vibrant blue, white, terra cotta and mustard colors will enhance any setting. Measures: 39 5/8" Wide x 34 5/8" High x 1 5/8" Deep Ready to hang this large framed color lithograph...