Beth Ames Swartz Art
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'Musical Abstract', Smithsonian, Jewish Museum, Woman Artist, Phoenix, New York
By Beth Ames Swartz
Located in Santa Cruz, CA
Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1966.
Primarily working in the idioms of abstraction and semi-abstraction, Beth Ames Swarts's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural world-views, and incorporate both symbols and words in the vocabulary of their visual language.
Beth's art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both a conscious and unconscious level. Swartz syncretizes a variety of spiritual traditions in her work in order to reveal their inherent commonality.
Born in New York City, Beth grew up in Manhattan, and by her mid-teens, was studying at the Art Students League in New York in the late 1940s. Her education continued at NYC's High School of Music & Art followed by Cornell University where she graduated with a Bachelor of Science (1957), followed by a Master of Arts degree (1959) from New York University.
Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press.
Fellowships, Awards, Grants and Honors:
New York, NY - 2003
Veteran Feminists of America, Medal of Honor
Phoenix, AZ - 2001
Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer.
Snowmass Village, CO - 2000
Anderson Ranch, Artist in Residence
Phoenix, AZ - 1994
Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values
New York, NY - 1994
Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit
New York, NY - 1994
Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach
New York, NY - 1993
Panelist, The Sacred in the Arts Conference
New York, NY - 1992
Speaker, MedArts Conference, Research Study on A Moving Point of Balance
Stinson Beach, CA - 1991
Speaker, Symposium, Art as a Healing Force
New Harmony, IN - 1990
Keynote Speaker, Art and Healing Conference
Phoenix, AZ - 1988
Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change
Payson, AZ - 1988, '87
Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop
Phoenix, AZ - 1985
Governor's Award, Outstanding Women of Arizona - Women Who Create
Sun Valley, ID - 1980
Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape
Hawaii National Park, HI - 1979
Volcano Art Center, Artist in Residence
Phoenix, AZ - 1978, '77
Named Master Teacher by State Department of Public Instruction
Phoenix, AZ - 1978, '77
Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities
Selected Bibliography and Reference:
Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...
Category
1960s Abstract Beth Ames Swartz Art
Materials
Paper, Watercolor
'Abstract Composition', New York Jewish Museum, ASL, Woman Artist, Smithsonian
By Beth Ames Swartz
Located in Santa Cruz, CA
Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1967.
Primarily working in the idioms of abstraction and semi-abstraction, Beth's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural worldviews, and incorporate both symbols and words in the vocabulary of their visual language.
Her art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both the conscious and unconscious level. Swartz synthesizes these spiritual traditions in her work with the purpose of revealing the commonality between them.
Beth was born in New York City and grew up in Manhattan, and by her mid-teens was studying at the Art Students League in New York in the late 1940s. Her education continued at The High School of Music & Art in New York City, and Cornell University in Ithaca, New York, where she graduated in 1957 with a Bachelor of Science degree, followed by a Master of Arts degree in 1959 from New York University.
Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press.
Swartz explores systems of knowledge by translating philosophical concepts into aesthetic visual experiences.
Fellowships, Awards, Grants and Honors:
New York, NY - 2003
Veteran Feminists of America, Medal of Honor
Phoenix, AZ - 2001
Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer.
Snowmass Village, CO - 2000
Anderson Ranch, Artist in Residence
Phoenix, AZ - 1994
Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values
New York, NY - 1994
Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit
New York, NY - 1994
Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach
New York, NY - 1993
Panelist, The Sacred in the Arts Conference
New York, NY - 1992
Speaker, MedArts Conference, Research Study on A Moving Point of Balance
Stinson Beach, CA - 1991
Speaker, Symposium, Art as a Healing Force
New Harmony, IN - 1990
Keynote Speaker, Art and Healing Conference
Phoenix, AZ - 1988
Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change
Payson, AZ - 1988, '87
Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop
Phoenix, AZ - 1985
Governor's Award, Outstanding Women of Arizona - Women Who Create
Sun Valley, ID - 1980
Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape
Hawaii National Park, HI - 1979
Volcano Art Center, Artist in Residence
Phoenix, AZ - 1978, '77
Named Master Teacher by State Department of Public Instruction
Phoenix, AZ - 1978, '77
Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities
Selected Bibliography and Reference:
Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...
Category
1960s Abstract Beth Ames Swartz Art
Materials
Paper, Watercolor, India Ink
'Musical Bridge', New York Jewish Museum, ASL, Woman Artist, Smithsonian
By Beth Ames Swartz
Located in Santa Cruz, CA
Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1966.
Primarily working in the idioms of abstraction and semi-abstraction, Beth's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural worldviews, and incorporate both symbols and words in the vocabulary of their visual language.
Her art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both the conscious and unconscious level. Swartz synthesizes these spiritual traditions in her work with the purpose of revealing the commonality between them.
Beth was born in New York City and grew up in Manhattan, and by her mid-teens was studying at the Art Students League in New York in the late 1940s. Her education continued at The High School of Music & Art in New York City, and Cornell University in Ithaca, New York, where she graduated in 1957 with a Bachelor of Science degree, followed by a Master of Arts degree in 1959 from New York University.
Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press.
Swartz explores systems of knowledge by translating philosophical concepts into aesthetic visual experiences.
Fellowships, Awards, Grants and Honors:
New York, NY - 2003
Veteran Feminists of America, Medal of Honor
Phoenix, AZ - 2001
Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer.
Snowmass Village, CO - 2000
Anderson Ranch, Artist in Residence
Phoenix, AZ - 1994
Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values
New York, NY - 1994
Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit
New York, NY - 1994
Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach
New York, NY - 1993
Panelist, The Sacred in the Arts Conference
New York, NY - 1992
Speaker, MedArts Conference, Research Study on A Moving Point of Balance
Stinson Beach, CA - 1991
Speaker, Symposium, Art as a Healing Force
New Harmony, IN - 1990
Keynote Speaker, Art and Healing Conference
Phoenix, AZ - 1988
Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change
Payson, AZ - 1988, '87
Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop
Phoenix, AZ - 1985
Governor's Award, Outstanding Women of Arizona - Women Who Create
Sun Valley, ID - 1980
Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape
Hawaii National Park, HI - 1979
Volcano Art Center, Artist in Residence
Phoenix, AZ - 1978, '77
Named Master Teacher by State Department of Public Instruction
Phoenix, AZ - 1978, '77
Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities
Selected Bibliography and Reference:
Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...
Category
1960s Abstract Beth Ames Swartz Art
Materials
Paper, Watercolor
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Columbia University, School of Architecture
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College of Notre Dame of Maryland, Baltimore 1999
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Joseph A. Cain Memorial Purchase Award for Sculpture
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Honorable Mention, “National Juried Exhibition”
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gouache, acrylic, pencil, and colored pencil on paper, mounted on panel
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More about the work:
Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil.
Artist Statement:
My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
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EDUCATION
Master of Fine Arts in Painting
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Bachelor of Science in Art History
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Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
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AWARDS
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Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
SELECTED JURIED/INVITATIONAL EXHIBITIONS
2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
“Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Mixed Media”, SITE Gallery, Brooklyn, NY
2018
“JuxtaPositions”, The Painting Center, New York, NY
“Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY
2017
“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
2015
“Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY
“Gridspace”, KMOCA, Kingston, NY
“Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Assuming Identity”, NY Institute of Technology, New York, NY
2013
“Modern Artists”, Carrie Haddad Gallery, Hudson, NY
“Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY
Stone Canoe/Community Folk Art Center, Syracuse, NY
2012
New York Institute of Technology, New York, NY
“Contemporary Painters (Who Just Happen To Be Women)”,
Carrie Haddad Gallery, Hudson, NY
“Strange Glue: Collage at 100”, Cambridge School, Weston, MA
“Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY
“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
Courthouse Gallery, Lake George Arts Project, Lake George, NY
2011
“Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College,
Newburgh, NY
“Gender Matters/Matters of Gender”, Freedman Gallery,
Albright College, Reading, PA
2010
Carrie Haddad Gallery, Hudson, NY
“Encaustics: Wax and Image”, Westchester Community College,
White Plains, NY
“Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY
“Spring Awakening”, NY Institute of Technology, New York, NY
“Clay City Dreams”, NY Institute of Technology, New York, NY
“Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School,
Providence, RI
2009
“Collage”, NY Institute of Technology, New York, NY
“Working in Wax”, Bedford Gallery, Walnut Creek, CA
“Encaustic 2009”, College of New Rochelle, NY
“Three Artists”, Carrie Haddad Gallery, Hudson, NY
“Convergence: The Human Experience”,Howard County Center for the Arts, MD
2008
“Suckers and Biters: Love, Lollipops, and Exquisite Corpse”
Chashama Gallery, New York, NY
Carrie Haddad Gallery, Hudson NY
2007
“Patterns and Light”, Blue Hill Gallery, Blue Hill, ME
“Suckers and Biters”, AG Gallery, Brooklyn, NY
2006
“100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art,
New York, NY
“On/Of Paper”,Kirkland Art Center, Clinton, NY
“The Love Show”, Manchester Community College, Manchester, CT
2005
The Soap Factory, Minneapolis, MN
“Small Tales”, Valdosta State University, Georgia
National Juried Exhibition,Art Institute and Gallery
Salisbury, MD, Juror: Stephen Haller
“Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY
2004
“Women in the Middle: Borders, Barriers, Intersections”
University of Wisconsin-Milwaukee
“Girl Art Now”,Hera Gallery, Wakefield, RI
3 Person Exhibition, Monterey Peninsula College, Monterey, CA
“The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery
Poughkeepsie, NY
2003
“Beefcake/Cheesecake”,Orange County Center for Contemporary Art,
Santa Ana, CA,Juror: Jamie Wilson, Curator
Halpert Bienniel, Appalachian State University, Boone, NC
Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY
2002
“Cat Calls”, Red Clay Arts, Brooklyn
“Hudson Valley Regional”, SUNY New Paltz
Juror: Sydney Jenkins, Director, Ramapo College Art Galleries
2001
One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago
One-Person Exhibition, Garrison Art Center, Garrison, NY
2000
“Vision 2000...
Category
2010s Abstract Geometric Beth Ames Swartz Art
Materials
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
"Delaware Water Gap"
By Lloyd Raymond Ney
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Lloyd R. Ney (1893 – 1964)
Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...
Category
1940s Abstract Beth Ames Swartz Art
Materials
Paper, Watercolor, Graphite
Allegory of Light - Drawing by Parimah Avani - 2022
Located in Roma, IT
Allegory of Light For Struggling Blossoms is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022.
China ink and acrylic on ivory-color...
Category
Early 2000s Abstract Expressionist Beth Ames Swartz Art
Materials
Paper, India Ink, Acrylic
H 8.27 in W 11.23 in D 0.04 in
Intersecting Magic Square
By Charmion von Wiegand
Located in New York, NY
Charmion von Wiegand
Intersecting Magic Square, ca. 1963
Gouache on paperboard
Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself.
Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass
This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame
Measurements:
Frame:
21 x 17 x 1.5 inches
Artwork:
18 x 14.25 inches
The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...
Category
1960s Abstract Geometric Beth Ames Swartz Art
Materials
Gouache, Handmade Paper, Mixed Media, Pencil
"Wonderful floral glow"
Located in VÉNISSIEUX, FR
In this abstract floral artwork I experience the world of nature through the bright colors of a summer period.
While painting, I sought to capture the beauty of summer flowers whic...
Category
2010s Abstract Impressionist Beth Ames Swartz Art
Materials
Paper, Acrylic, Watercolor
Beth Ames Swartz art for sale on 1stDibs.
Find a wide variety of authentic Beth Ames Swartz available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of orange and other colors. You can also browse by medium to find art by Beth Ames Swartz in paint, paper, watercolor and more. Much of the original work by this artist or collective was created during the 1960s and is mostly associated with the abstract style. Not every interior allows for large Beth Ames Swartz, so small editions measuring 17 inches across are available. Customers who are interested in this artist might also find the work of Hildegarde Haas, Merton Clivette, and Robert Ruello. Beth Ames Swartz prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,450 and tops out at $2,450, while the average work can sell for $2,450.