Bill Mack Sculptures

Seated hare is a unique smoke-fired sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 32.5 × 20 × 10 cm (12.8 × 7.9 × 3.9 in). This artwork depicts a ...

Hare and wolf is a unique smoke-fired sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 33 × 42 × 16 cm (13 × 16.5 × 6.3 in). The sculpture depicts an...

Listening for Spirit by Denny Haskew Female nude ​Bronze (silver nitrate patina) on sandstone 8x6x10" ed/30 (height is variable based on stone) si...

Smoke-fired stoneware sculpture, black metallic paint, oak wood table. One-Off. Dimensions: 99 cm × 75 cm × 65 cm. This artwork belongs to the series entitled Les Ombres d’Alice (Ali...

Committed by Denny Haskew Figurative Bronze on Sandstone Base Limited Edition of 35 20h 8.5w 7d inches #15 pictured "I give to you all that I am. My faith in Spirit is unchanging. E...

The two artists were inspired by Mexican the Day of the Dead Tradition and folklore represented on the famous "papel picado" which decorates all the beaut...

Eros is a unique smoke-fired sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 24 × 53 × 23 cm (9.4 × 20.9 × 9.1 in). Greek mythology's Eros, the God ...

This sculpture represents two donkeys of which only the skin remains, although they seem alive. As it is sometimes the case for Cécile Raynal’s sculpture, this work stages the emptin...

This smoky sandstone sculpture represents a seated woman figure with the face of a swan. For years now, the artist has been giving art courses to disadvantaged persons at a local soc...

Saigneurs, mes cieux mes yeux is a smoke-fired stoneware sculpture by French contemporary artist Cécile Raynal. This artwork is composed of three busts placed on their base. Busts a...

Blue Solo (with Jean Pierre) is a smoke sandstone sculpture by French contemporary artist Cécile Raynal, dimensions are 50 × 27 × 31 cm (19.7 × 10.6 × 12.2 in). The sculpture is a un...

This portrait is part of a series of sculptures designed by the artist during an eight-week art residency at a private hospital in Lyon (France). During several stays, the artist immersed herself into maternity life, crisscrossing the corridors with her sketchbook or modeling there and then in clay the portraits of the people who she came across, health professionals as well as patients. These sessions, marked with sensitive exchanges, created clay figures caught within the very particular circumstances of these encounters: the expectation of a happy event, always tinged with uncertainty for the future parents; passion and tension, constantly linked in the healthcare teams work.