Blair Hughes-Stanton was the only son of a successful landscape painter, Sir Herbert Hughes-Stanton. He had little formal education, joining a cadet school ship at the age of 13. As an artist, he trained at the Byam Shaw School of Art, where he was greatly influenced by Leon Underwood. In 1921, he moved to Underwood’s new school in Hammersmith and when Underwood went to America in 1925, Hughes-Stanton was left in charge of the school. Although he continued to paint and draw, he soon gained a reputation for his wood-engravings. Hughes-Stanton's first published works were illustrations to T.E. Lawrence’s The Seven Pillar’s of Wisdom, 1926. He married Gertrude Hermes, a well known British printmaker, in the same year. Much of Hughes-Stanton’s subsequent work was in the form of illustrations for private press books, first with the Cressent and Golden Cockerel Presses and then, from 1930–33, for the Gregynog Press in Wales. Between 1928–30, he was closely associated with D.H. Lawrence and illustrated several of his books. It was partly in response to the philosophy of these novels and partly to his new affair with Ida Graves that he created the overtly sexual iconography that marks the prints of this period. In 1933–36, he established Gemini Press, with the backing of Robert Sainsbury, but by 1935, the Depression had put an end to commissions for illustrative works, and he returned to the single sheet print. Hughes-Stanton's prints of the later 1930s are notable in their concern with modernist abstraction. He won an international prize for engraving at the Venice Biennale in 1938. During World War II, he worked in camouflage with the Royal Engineers, after which he was sent to Greece, where he was captured, became a PoW, and was shot in the face. Following the war, commissions for private press books dried up, and his war wound seriously affected his three-dimensional vision. He found work teaching at Westminster School of Art 1947–48, and from 1948 Hughes-Stanton was a lecturer in printmaking and drawing at the Society of Wood Engravers, St. Martins and the Central School of Art. He later lived in Manningtree, Essex.
$24,498
Myth III - British 1936 Modern art tempera painting Ida Graves poet family
By Blair Hughes-Stanton
Located in Hagley, England
This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...
Egg Tempera
Modern British 20th C watercolour drawing of Thetis laments by Hughes-Stanton
By Blair Hughes-Stanton
Located in Petworth, West Sussex
Blair Hughes-Stanton – ‘Thetis Laments’ 1952 The watercolour is signed by the artist lower right in pencil 'Blair HS' and dated (19)52. It was exhibited in June 1954 at The Leicester...
Ink, Watercolor
Blair Hughes-Stanton 'Reclining Nude' abstract oil painting British Surrealism
By Blair Hughes-Stanton
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Blair Hughes-Stanton (1902-1981) Reclining Nude, c. 1936 Tempera on canvas 76.5 x 102 cm Signed lower right 'Blair H S'. Provenance: The estate of the artist. A magnificent abstract nude rendered in a dynamic colour palette. This is probably Hughes-Stanton's most important work, and belongs to the nation's great, if brief, period of British Surrealism. The three major elements are distinct: the pastel tones of the window view and wall, the sensual curvatures of the pale nude, and the bold foreground featuring a fantastically accomplished still life of a fruit bowl (which could be a painting in and of itself) and the impressively phallic chair back. This is a brilliant example of erotic modernist abstraction. Blair Hughes-Stanton, son of the artist Sir Herbert Hughes-Stanton, was a noted British artist of the interwar period. At the age of 13 he joined the Royal Navy training ship HMS Coway, but at 19 - advised by his father - he abandoned the sea for his paintbox. He studied art at Byam Shaw School (1919-1922) where he was influenced by Leon Underwood (who was a major influence throughout his studying), Royal Academy Schools (1922-23), and Leon Underwood's School (1923-25). He was celebrated mostly for his skills as an engraver, and was a founding member of the English Wood Engraving Society when it was established in 1925. His first wife was the printmaker Gertrude Hermes...
Canvas, Tempera
Modern British 20th C watercolour drawing of bathers by Blair Hughes-Standon
By Blair Hughes-Stanton
Located in Petworth, West Sussex
Blair Hughes-Stanton (British, 1902-1981) The Bathers Ink and watercolour Signed and dated `Blair HS 38’ (lower right) 13.1/2 x 20 in. (34.4 x 50.7 cm.)
Ink, Watercolor
$2,625Sale Price|20% Off
H 16.54 in W 13.39 in D 0.79 in
Icon of Our Lady of Jerusalem with oklad by Oliver Samsinger
Located in Segovia, ES
Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...
Brass
$2,005Sale Price|20% Off
H 15.36 in W 10.63 in D 0.99 in
Virgin of Kataphyge and St. John, after a Byzantine Bulgarian Icon 14th Century
Located in Segovia, ES
The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...
Gold Leaf
The Red Hat oil on canvas by Moses Soyer
By Moses Soyer
Located in Hudson, NY
Realist oil painting by Moses Soyer. The artist was often quoted as saying, "My message is people." He was always looking to find who the person within was. Soyer and his brothers Raphael and Isaac were all successful artists. Moses Soyer began his art studies at the Cooper Union and National Academy of Design, the Education Alliance, and eventually moved to the Ferrer Art School in Harlem to study with teachers who promoted the Ashcan style of painting. This style promoted unglamorized representations of everyday life and a focus on social realism. When many artists shifted to abstract expressionism Soyer...
Canvas, Oil
$1,036Sale Price|20% Off
H 30 in W 36 in D 2 in
Vintage Surreal Signed Nude Figures Framed Original Modernist Oil Painting
Located in Buffalo, NY
Antique American modernist abstract nude landscape oil painting. Oil on canvas. Framed. Signed illegibly.
Canvas, Oil
$1,275Sale Price|25% Off
H 16 in W 20 in D 2 in
Early 20th century Art Deco Male nude oil painting of Narcissus
By George Frederick Hinchcliff
Located in Harkstead, GB
An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...
Canvas, Oil
$1,469Sale Price|20% Off
H 20 in W 24 in D 3.5 in
Follower of Roderic O'Connor, Female nude in an interior, large oil painting
By Roderic O'Conor
Located in Harkstead, GB
A very striking and stylishly painted oil of a shapely nude reclining on a draped sofa, dating from the early to mid 20th century . This large scale oil is presented in an attractive...
Canvas, Oil
Modernist Reclining Female Nude Figurative
Located in Soquel, CA
Modernist reclining female nude figurative painting by an unknown artist (American, 20th Century). This vivid late 20th-century figural piece featur...
Masonite, Tempera
$1,185Sale Price|33% Off
H 11.82 in W 10.04 in D 0.79 in
Saint Nicolas in the style of Russian icons of the 18th century. With Oklad
Located in Segovia, ES
Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...
Gesso, Wood, Egg Tempera
Whilton
By Sarah Sophia Beale
Located in Middletown, NY
Watercolor and pencil on watercolor paper, painted along the top portion of a sheet measuring 9 1/4 x 11 7/8 inches (235 x 302 mm), the full sheet. Titled in pencil in the lower left...
Watercolor, Pencil
$1,641Sale Price|20% Off
H 25.2 in W 11.42 in D 1.78 in
The archangel Saint Michael, after an icon of the 14th century
Located in Segovia, ES
Archangel Saint Michael after an icon from Constantinople of the 14th Century. Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with application of gold leaf Dimens...
Gold Leaf
Farm landscape with a man in a bowler hat
Located in Middletown, NY
Graphite and watercolor on light weight salmon-colored wove paper, 4 1/4 x 7 5/8 inches (109 x 194 mm), the full sheet. An unfinished study in good condition. On the mat-back is a n...
Watercolor, Handmade Paper, Graphite
$70,000
H 35.5 in W 53 in
"Reclining Nude" Arthur B. Carles, Abstracted Nude, Early American Modernism
By Arthur Beecher Carles
Located in New York, NY
Mercedes Matter Reclining Nude, circa 1920 Signed "Mercedes Matter" on the overlap Oil on canvas 32 x 51 inches Known for his use of expressive and uninhibited color, Arthur B. Car...
Canvas, Oil
Woods and Country Manor
By Sarah Sophia Beale
Located in Middletown, NY
A bucolic woods landscape with an ivy-covered country manor. Watercolor and graphite on heavy gauge watercolor paper, 4 7/8 x 7 inches (125 x 178 mm), the full sheet. In very good c...
Watercolor, Graphite
$1,549Sale Price|20% Off
H 16.93 in W 11.42 in D 1.38 in
Christ Pantocrator (Open Book) – Byzantine Icon, Egg Tempera & 24K Gold
By Oliver Samsinger
Located in Segovia, ES
Christ Pantocrator (Open Book) Artist: Oliver Samsinger. Technique: Egg tempera on gesso and wood, with 24‑karat gold leaf. Dimensions: 43 × 29 × 3.5 cm. Description of the Work Th...
Gold Leaf
Colourful Large Cubist Nude, Nue Allongée
By Isabelle Pardoe
Located in Cotignac, FR
Colourful, large, modern Cubist oil on canvas nude by Isabelle Pardoe. The painting is not signed but came directly from the atelier of the artist. Isabell Pardoe trained at the Sl...
Canvas, Oil, Acrylic
Isolation
By Blair Hughes-Stanton
Located in Myrtle Beach, SC
Blair Hughes-Stanton, 'Isolation', color wood engraving, 1959, edition 15. Signed, titled, dated and numbered '6/15' in pencil. Superb, richly-inked impressions, with fresh, vibrant colors, on heavy, cream, wove, Japan paper; the full sheet with wide margins (2 to 9 1/8 inches). Minor toning at the sheet edges, well away from the images, otherwise in excellent condition. Created as book illustrations, the images are positioned on the sheet accordingly; each image 3 3/4 x 6 1/4 inches; sheet size 16 x 20 inches. Matted to museum standards, unframed. Scarce. ABOUT THE ARTIST Blair Hughes-Stanton (1902-1981) was the only son of a successful landscape painter, Sir Herbert Hughes-Stanton. He had little formal education, joining a cadet school ship at the age of 13. As an artist, he trained at the Byam Shaw School, where he was greatly influenced by Leon Underwood. In 1921, he moved to Underwood’s new school in Hammersmith and when Underwood went to America in 1925, Hughes-Stanton was left in charge of the school. Although he continued to paint and draw, he soon gained a reputation for his wood-engravings. His first published works were illustrations to T.E. Lawrence’s 'The Seven Pillar’s of Wisdom...
Woodcut