Brian Novatny Mixed Media

An important Spanish portrait painting by the celebrated artist Jose Vela Zanetti (1913-1999), signed & dated 1962. This painting by one of Spain's most celebrated muralists, who als...

Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...

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In uptown Manhattan, a solitary cat sits on a windowsill, gazing intently at a drone hovering outside. The cat doesn’t appear alarmed but curious, as though...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In t...

Painting: oil, charcoal, mixed media on Canvas. 12 x 12" With a fresh pallet that is injected bold, beautiful colors, this painting will add a dramatic pop of color to your in...

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Artist Guigen Zha paints two red peonies looking at each other in a white vase. The lively flowers bloom one after another in a rea...

In 2020, amidst the lockdown's intensity, my art journey ignited professionally. With ample time to delve deep, I explored figurative painting and abstract drawings until early 2022. I created a different series of paintings, one standout series, "Black, Bold, and Beautiful," celebrated the radiant essence of black women through six vibrant portraits clad in Ankara suits. While one found a home with a collector in Tel Aviv, the rest lingered in my studio. Two years on, a spark ignites within me to revisit this series, infusing it with the evolved narrative that aligns and fits into the conversation my works now engage in as a Contemporary Gospeller. The notions of “Restoration and restitution” weigh heavily in my heart, reflecting on personal and global scales. While global discourse focuses on returning stolen artefacts from Africa back to their origins, my perspective delves deeper into the restoration of lost time and purpose. My point of view on Restoration and Restitution is from this notion that man can lose years of his life in futility, and when the time of profit comes, it occurs mostly at the brink of life. A profound scripture, "I'll restore the years that the locust has eaten," resonates deeply, offering a beacon of hope amidst perceived futility. When I read this verse, it distinctly jumped out at me. Wow! Years can be restored! There is hope! To make this revisiting more contextual, I look out for material which can be regarded as “used-up”, “less-value”, or “wasted” - then it appears to me that Jute sack fits into this context! The Jute sack stands for the lost years of glory, having exchanged hands from one country to another before ending up in my studio to take a new life, different from what it has been used for. Thus, the series finds renewal through the symbolism of jute bags...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Abou...

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...

This portrait reflects the wisdom and resilience of a life lived. The wrinkled facial features and long beard of the hero hint at a connection to the past, and the unfinished brushst...

This artwork titled "Piano Solo" 2000 is original mixed media (oil paint on print) on canvas by American artist and musician Mark Keller, b.1955. It is ha...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About the Artist Joy Eyitayo...