Bruno Barilli More Art

This drawing shows several studies of a donkey with a carriage. Its style is close to Flemish 17th century artists. On the passepartout one reads "Mathias Scheyer/ Jacob Weyer", both...

Jean-Pierre Norblin de La Gourdaine (Polish: Jan Piotr Norblin; 15 July 1745 – 23 February 1830) was a Polish-French painter, draughtsman, engraver and caricaturist. Born in France, from 1774 to 1804 he resided in the Crown of the Kingdom of Poland, where he obtained citizenship. He is considered one of the most important painters of the Enlightenment in Poland. He achieved great success in Poland. Given many commissions from some of the most notable families of the country, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fêtes galantes and fêtes champêtres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish–Lithuanian...

A book by Andy Warhol. Signed and sketched by the artist on the first page of the book. Signed on the bottom of the first page. The Philosophy of Andy Warhol (From A to B & Back Aga...

Helene Rutkowski is an artist who was born in 1862. The maker's first piece to be offered at auction was "Baumbestandene Allee im Herbst" at Quentin Auction House in 2021. She worked in the style of Realism and Expressionism and her works remind one of Käthe Kollwitz. This beautiful drawing...

Pierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...

Ritratto di Noemi, 2019 Graphite and White Chalk on Toned Paper, 7 x 10 inches “Ritratto di Noemi”, a captivating portrait, by artist Justas Varp...

Two putti with symbols of war and victory (cannons, cannonballs, armour, anchor, lion's head, laurel branch/ olive branch, flag, staff with helmet) in pediment triangle. Probably a d...

Old Master Drawing, Flemish School, Portrait or Sketch of a standing young boy. Condition : see photos The drawing is on paper.

Jan van der Heyden (1637 Gorinchem - 1712 Amsterdam), attributed. Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch Westerkerk and Keizersgracht in Amsterdam Backside: later drawn backside with village church of the 18th century Chalk and pen on paper 23,5 x 18,5 cm Preliminary drawing for a painting from the creative period c. 1667 - 1670. This painting has been published a few years ago by Peter C. Sutton in the catalogue raisonné of the artist. Van der Heyden was initially a pupil of a glass painter, but later turned exclusively to architectural painting and went to Amsterdam, where he painted views of churches, castles, palaces, public squares, streets, canals, etc., most of which are richly decorated with staffage. In addition, van der Heyden was also active as an inventor, for example, he developed a street lighting system for Amsterdam by means of oil street lamps, which was in operation from 1669 to 1840. After a stay in London, he painted the London fire of 1666, which he either witnessed himself or had seen the consequences of. Certainly influenced by this, he did much to further the technical and organisational development of the fire brigade from 1669 onwards. His greatest invention was probably the fire hose, which enabled significant improvements in fire-fighting technology and tactics. He also improved the hand-operated fire engines of the time by making them smaller, more mobile and more powerful, and he developed the series connection of several pumps to increase the pressure in order to achieve a greater range for the water jet. In 1690, together with his son, he was the author and illustrator of the Brandspuiten-boek, the first manual for fire fighting. Johann Lingelbach, Adriaen van de Velde and Eglon van der Neer...

Homage to the iconic Chanel Brand. This original artwork on paper combines textured brush strokes and textile collage elements. Surrounded by heavy texture, the focal point is a deta...

Giardino di Rose, 2022 Ink on Toned Paper with Frame, 12.25 x 15.25 inches Transporting the viewer to Florence’s sun-lit rose garden, Justas Varpucanskis...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...