Bruno Munari Center Tables

Beautiful and rare, original first 1962 Stildomus edition of the famous Bruno Munari 'Cubobar.' The original Stildomus edition was produced in small numbers and is today rarely seen,...

Jumbo firmato da Gae Aulenti per Knoll è il tavolino completamente in marmo con coppia di gambe ad ogni angolo. I marmi sono della migliore qualità, selezionati per eliminare i difet...

Madonna table in lacquered wood, designed in 1984 by Arquitectonica. Memphis is the great cultural phenomenon of the 1980s that revolutionized creative and commercial logics in design. Born from the idea of Ettore Sottsass and a group of young designers and architects, in Milan, coupled in the years by famous designers from the international scene...

Exceptional Italian bronze center table featuring a pair of mermen or putti di mare. The bronze has a lovely patinated finish with verdigris. The base alone measures 45 inches wide b...

The table "Model 522" was designed by Gianfranco Frattini and manufactured by Bernini in Italy of the 1960s. It is made of rosewood and with its geometric shapes, straight lines and ...

Made in Italy, 1972. They feature a thin (but solid) folded metal frame and two glass shelves each. These carts take their name from the simplicity of their design. They are vintage...

Annika Table by Bruno Mathsson for Karl Mathsson, Sweden, Late 60’s (dated 1969) Legs in birch and karelian birch top.  

Tavolino quadrato da salotto in vetro specchiato verde e rivestimento in ottone con un vano centrale. di Giovanni Ausenda Guido Baldo Grossi Gianni Gavioli Il tavolino si presenta in...

Tavolino da salotto degli anni 60 in massello di noce ricurvo e finemente decorato con fantasie tipiche dell'epoca. Legno restaurato e lucidato. In condizioni molto buone con solo p...

Tavolino da salotto degli anni 70 ideato da Francois Monnet in Francia negli anni Settanta. Il tavolo è composta da una struttura in acciaio inossidabile spazzolato e curvato, ment...

Table with etched grindstone base and marble top by Giulio Lazzotti for Mageia. Made in Italy circa 1981. The name of the town where Giulio Lazzotti lives and works, Pietrasanta, can be alternately translated as Saint Peter or “holy stone,” the latter being wholly appropriate for a designer and architect whose work in marble, metal and wood takes on a serene, sculptural presence. Lazzotti was educated at the prestigious University of Florence, where he later returned to teach architecture. Since 1975, Lazzotti has maintained a diverse practice encompassing architecture, interior design and furniture design, winning such awards as first prize for Design at the Moving Fair of Paris, the Torre Guinigi prize in Lucca for Urban Design for the historical center of Pietrasanta, a top ten in the International Chair Fair at Udine and, most recently, the Good Design prize from the Japan Industrial Design Promotion Organization. Following in the tradition of classic Italian sculptors and craftsman, Lazzotti’s furniture is produced with an artisan’s eye for material nuance and imbued with modernist simplicity. Internationally recognized for his work with stone, Lazzotti has organized symposia on the material and taught courses like “Design in Marble” at the Academy of Fine Arts in Carrara, Italy (home to the famous white carrara marble quarries). Lazzotti has worked with many international companies, including Iveco, The Conran Shop...

Wengé frame with a glass top. Designed in the 1950s and in production from 1958 till 1971 by 't Spectrum. Playful corners that also have the function of keeping the glass top on it's...