Carlo Zauli Decorative Objects

Large ceramic bowl in polychrome glazes, characteristic of the creations of Zauli during the mid-60s, with a strong far eastern inspiration. Carlo Zauli (b.1926-d.2002) is one of th...

Large ceramic bowl in polychrome glazes with metallic luster characteristic of the creations of Zauli during the mid-60s, with a strong far eastern inspiration. Carlo Zauli (b.1926-...

Vaso scultureo Italiano in ceramica disegnato e prodotto dall'artista Carlo Zauli, firmato sotto la base Zauli Faenza, Italia anni 50.

Vaso scultureo Italiano in ceramica disegnato e prodotto dall'artista Carlo Zauli, firmato sotto la base Zauli Faenza, Italia anni 50.

Decorative vase realized in a warm gray stoneware with band decorations, designed and manufactured by Carlo Zauli in 1960s. Signature engraved visible under the base. After winnin...

Ceramic (Grés) plate designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war Italian sc...

Ceramic (Grés) sculpture designed and produced by Carlo Zauli in 1970. Sculpture is part of an artistic cycle called Fremiti naturali. Unique piece. Signed. Biography: Carlo Zauli...

Exceptional and rare stoneware sculpture by Carlo Zauli, produced in Faenza around 1970, perfect condition. Very decorative and published work and masterpiece of the period and genre...

Large ceramic bottle, Atelier Mascarella, Bologna, 1950s. Rare ceramic bottle with geometric figure decorations made in Bologna in the 1950s. It is a refined piece of furniture that...

Wall mounted One-off ceramic sculpture by Carlo Zauli. Lively sculptural pieces on a grid-like ceramic plate, mounted on original wood piece.

Ceramic bowl by Carlo Zauli, Italy 1960s. Exceptionally work in black ceramic with a refined yet minimal line decoration in off white with a brown outline. The lines create a nice co...

Ceramic (Grés) sculpture designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war Italian sculpture. Like other masters of previous generations, from Martini to Fontana and Leoncillo, his technical training was in the field of ceramic art. Zauli moved away from its formal principles in the sixties, however, when his work moved towards a complex form of sculptural research of great expressive richness. The shift from informal territories towards a reasoning about geometrical forms as rhetorical structures brought him into the heart of the sculptural debate of those years. The solo exhibition at the Montenapoleone Gallery of Milan in 1957 fitted in perfectly with other works that were part of a trend towards an integration of the arts (frieze for the palace in Baghdad, 1958; frieze for the government printing office...

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war ...

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war Italian sculpture. Like other masters of previous generations, from Martini to Fontana and Leoncillo, his technical training was in the field of ceramic art. Zauli moved away from its formal principles in the sixties, however, when his work moved towards a complex form of sculptural research of great expressive richness. The shift from informal territories towards a reasoning about geometrical forms as rhetorical structures brought him into the heart of the sculptural debate of those years. The solo exhibition at the Montenapoleone Gallery of Milan in 1957 fitted in perfectly with other works that were part of a trend towards an integration of the arts (frieze for the palace in Baghdad, 1958; frieze for the government printing office...

Ceramic (Grés) sculpture designed and produced by Carlo Zauli in 1970. Sculpture is part of an artistic cycle called Vasi sconvolti. Unique piece. Signed. Biography: Carlo Za...

Ceramic (Grés) sculpture designed and produced by Carlo Zauli in 1970. Sculpture is part of an artistic cycle called Vasi sconvolti. Unique piece. Signed. Biography: Carlo Za...

Wall mounted One-off ceramic sculpture by Carlo Zauli. The central relief is surrounded by gold-leaf surface.

This pair of glazed ceramic vases was manufactured by the pottery master Carlo Zauli in the 1960s. Irregular and rough surface is the hallmark of the artist. Ref. AA.VV. Carlo Zau...

Archaic vase by Carlo Zauli 1953 Polychrome majolica Faenza Vase in polychrome majolica, pear-shaped with an asymmetrical line and abstract-geometric decorations with relief borders....

Black and gray iconic mottled glaze vase by Carlo Zauli. The black potion of the glaze is composed of both matte and glossy glaze. The vase, the archetype of every ceramist, is c...

The black potion of the glaze is composed of both matte and glossy glaze. The vase, the archetype of every ceramist, is central to the research of the initial period of Carlo Zauli...

Single flower vase in polychrome ceramic, signed on the bottom. Carlo Zauli (Faenza, 19 August 1926 - Faenza, 14 January 2002).

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...