Carlos Narino Furniture

Early 20th Century Little Boy Blue Painting on Canvas Cloth. Classic Fairy Tale illustration of Little Boy Blue fallen asleep in the hay. Grea...

Modernist view of Funza, lush green hillside landscape surrounding red-roofed buildings and bright sun overhead in sky. Likely depicting Funza - Bogotá savanna, Colombia. - Oil on ar...

Handsome portrait of a Great Dane by painter, Lawrence Shelby. Oil paint on rust-colored velvet canvas, framed by stained oak. Artist-signed.     ...

Carlos Ochagavia (1913-2006) " After the Bath", 1999 painting. Dimensions with frame: 100 x 74.5 x 4cm.

**Oil on canvas depicting a landscape, 20th century, by Carlos Gallos A5633** This oil on canvas features a pleasing brushwork. It depicts a hilly landscape with a village in the di...

Abstract oil on canvas by California artist Carlos Lopez. Framed, matted and behind glass. Signed and with artist bio on back.

"Bank," mixed-media on canvas by Philippe Avignant.

Painting "Forest Landscape", Lebedev A., Russia (Russian Empire), 1896 Additional Information: Materials: Stretched canvas, canvas, oil Vintage from the 19th century Artist/Mak...

Carlos León Cruz “Untitled” Abstract Oil on Canvas, Custom Leather Frame A restrained abstract oil on canvas by Peruvian artist Carlos León Cruz (b. 1967), this work reflects the ar...

Brilliantly capturing the exotic and beautiful landscape of the cypress swamps of South Florida, this painting of a pair of snowy egrets is a superb example of Art Deco scene painting. The turquoise hue of the water and the cerulean of the sky contrast with the smooth limbs of the cypress tree and the white and purple-greys of the birds. This painting was made by Renee Harcombe...

This is a very fine Gouache piece from the Ferman Artist Lotte Wolf Koch . The Artist was born in Germany in 1909 and studied at Nuremberg. She was influenced artisticaly by the Germ...

A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-2023). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999 Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame. Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976). Artist's Biography (Courtesy of Art Gallery NSW) After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists. During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney. Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...