Carol John Paintings

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

This oil painting featuring hues of red, green, yellow, and blue. Athens-based artist Carol John’s recent series “Big Bang” features paintings with erratic patterning & brilliant co...

This oil painting featuring hues of purple, yellow, black and pink. Athens-based artist Carol John’s recent series “Big Bang” features paintings with erratic patterning & brilliant ...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-it also suggests an appreciation of certain 'outsider' artists, as with her improvisational approach to composition. Like quilters of Gee Bend, John often begins a work with little idea of where it will take her pictorially. She might find a composition’s repeating pattern needs to be squeezed to fit within a pictures margins or detoured around a corner for completion as if the papers edge were merely a slight obstacle. In their unrestricted manner, the paintings have much more in common with childhood doodles, mindless of convention and heedless of expectations. that is not to say they are directionless. Guided by insight, they recall the paintings of visionary artists like Howard Finster or J.B Murray...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-it also suggests an appreciation of certain 'outsider' artists, as with her improvisational approach to composition. Like quilters of Gee Bend, John often begins a work with little idea of where it will take her pictorially. She might find a composition’s repeating pattern needs to be squeezed to fit within a pictures margins or detoured around a corner for completion as if the papers edge were merely a slight obstacle. In their unrestricted manner, the paintings have much more in common with childhood doodles, mindless of convention and heedless of expectations. that is not to say they are directionless. Guided by insight, they recall the paintings of visionary artists like Howard Finster or J.B Murray...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-it also suggests an appreciation of certain 'outsider' artists, as with her improvisational approach to composition. Like quilters of Gee Bend, John often begins a work with little idea of where it will take her pictorially. She might find a composition’s repeating pattern needs to be squeezed to fit within a pictures margins or detoured around a corner for completion as if the papers edge were merely a slight obstacle. In their unrestricted manner, the paintings have much more in common with childhood doodles, mindless of convention and heedless of expectations. that is not to say they are directionless. Guided by insight, they recall the paintings of visionary artists like Howard Finster or J.B Murray...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-it also suggests an appreciation of certain 'outsider' artists, as with her improvisational approach to composition. Like quilters of Gee Bend, John often begins a work with little idea of where it will take her pictorially. She might find a composition’s repeating pattern needs to be squeezed to fit within a pictures margins or detoured around a corner for completion as if the papers edge were merely a slight obstacle. In their unrestricted manner, the paintings have much more in common with childhood doodles, mindless of convention and heedless of expectations. that is not to say they are directionless. Guided by insight, they recall the paintings of visionary artists like Howard Finster or J.B Murray...

Carol John's art reflects her encounters with mainstream modern artists-showing the obvious influence of Guston and other individualists like Marsden Hartley and Alfred Julio Jensen-it also suggests an appreciation of certain 'outsider' artists, as with her improvisational approach to composition. Like quilters of Gee Bend, John often begins a work with little idea of where it will take her pictorially. She might find a composition’s repeating pattern needs to be squeezed to fit within a pictures margins or detoured around a corner for completion as if the papers edge were merely a slight obstacle. In their unrestricted manner, the paintings have much more in common with childhood doodles, mindless of convention and heedless of expectations. that is not to say they are directionless. Guided by insight, they recall the paintings of visionary artists like Howard Finster or J.B Murray...