Casimir Laurent Art

Charming mid century or possibly earlier folk painting. It is an oil on board measuring 12 inches wide by 10 inches high. The frame measures 14 inches wide by 12 inches high.

Will Moses (American, b. 1956) Turkey Trot, 2012 Oil on board 8 5/8 x 7 5/8 inches Signed lower right Soft, shadowy foothills dotted with traditional white farmhouses; weathered red barns tilted haphazardly on broad patchwork sweeps of green and hay-gold fields; small clusters of black and white cows grazing placidly in the distance…it's all part of Moses Country. And, the 200 year-old farmhouse, where Will Moses has his studio, is as solidly traditional as the surrounding landscape…the white house where the legendary Grandma Moses began her career. Born and raised here, in Eagle Bridge, New York, Will Moses creates paintings that reflect the quiet beauty of this tiny community nestled close to the Vermont border. Will has created a vivid, delightful miniature world, peopled with villagers who have stepped out of the past to charm us with their simple, everyday pastimes. As a fourth generation member of the renowned Moses family, painting is a natural tradition for Will, who began painting when he was four years old. Encouraged by his grandfather, a well-known folk painter in his own right, young Will was allowed to experiment freely with paints. Forrest K. Moses was totally committed to self-expression and passed this freedom of spirit along to his young grandson. Stimulated by his grandfather's confident approach, Will developed his own unique style of Americana. Today, Will continues to carry on the family tradition. Although his style is reminiscent of that of his celebrated great-grandmother, it is more complex and sophisticated. Basically self-taught, Will has honed his technique to capture all the most minute details in sharp-edged focus. It is a technique that has gained him considerable attention in art circles. Will Moses has had several well acclaimed exhibitions of his work in the United States, Canada and Japan. The Japanese are enthusiastic collectors of Will's art and Will has personally toured Japan with an exhibition of his work there. In North America, Will continues to make appearances at art galleries and folk art shows, meeting friends, collectors and admirers of his work. Recent public exhibitions of Will's work have taken place at the Cahoon Museum of American Art, The Everson Museum, The Bennington Museum, the North Shore Art Gallery and the President Ford and Reagan Libraries. Will continues his work illustrating and writing children's books. Philomel Books/Penguin Books for Young Readers, have now published ten books to date: Silent Night, The Legend Of Sleepy Hollow, Rip Van...

The Gift Of The Two Lines Born on March 21, 1906, in Moscow, she arrived as an emigrant to Paris at the age of 15, bearing in her young experience, the weight of the most transformi...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

C. 19th Century Folk art encampment painting w/miners & farmers Oil on canvas No visible signature Canvas: 20" W x 14" H Frame: 23.5" W x 17.5" H

Julien Nemethy (b. 1948) New Orleans Packet – Eclipse, 1999 Oil on canvas Sight: 22 x 28 in.; Frame: 26 x 32 in. Julien Nemethy’s New Orleans Packet – Eclipse is a richly detailed and atmospheric tribute to the golden age of American river travel, rendered with the artist’s characteristic precision and historical sensitivity. Set against a softly illuminated shoreline, the steamboat Eclipse emerges as both a technological marvel and a cultural emblem, its tiered decks, plume of smoke, and bustling activity captured with documentary clarity. Nemethy’s controlled palette—warm umbers, riverine blues, and the glow of late‑day light—infuses the composition with a sense of nostalgia, transforming the vessel into a symbol of movement, commerce, and the romance of the Mississippi. A superb example of the artist’s mature work, the painting demonstrates his ability to merge narrative realism with painterly refinement, offering a scene that is at once historically grounded and visually compelling. Provenance: Private collection, United States. Condition: The canvas presents in excellent overall condition with strong surface integrity and no visible restoration under normal viewing. Notes: Nemethy’s riverboat...

About this work: “Untitled (Manhattan Street)" 1942 by Samuel Koch (Polish/American, 1887-1963). A fantastic and rare example of Koch’s charming views of New York. A milliner by tra...

In 1990, the year this work was completed by Hugh McChesney, heavy rains in May swamped Arkansas, Texas, Oklahoma and southern Mississippi. But wherever he may have set up his easel,...

A Lands Five Ornaments, Health, Wealth, Fertility, Joy and Safety Oil, gold leaf on arches paper with a crackled varnish finish Image 5" x 7" Mounted 10" x 12" signed and dated low...

Antique American folk art landscape oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 16 by 19 inches overall. Handsomely framed in...

If you have interest in Eastern North Carolina Tidewater history and architecture, this painting may be a fine addition to your home or collection. It is an oil on board of the Sanderlin House in Belcross, Camden County. There is quite a bit of history written on a card on the back board that describes the family members of the house in the late 19th century. Camden is the courthouse town for Camden County. It is a small town located on the east side of the Pasquotank River, a few miles from Elizabeth City. Belcross is an area just outside of town. Apparently two near-identical houses were built ca 1840’s by the Sanderlin brothers, William and Joseph. One was left to ruin and disappeared, the other seems to possibly remain. In any event, per the information included, this is a view of the house by artist Miss Ella Bidgood, ca 1895. An Ella Bidgood, born in Baltimore in 1855, has been identified and she was a resident of Norfolk, Virginia with her family in the 1900 census. She is likely the artist of this painting. It is painted in a somewhat naive style but competently shows details of the house in nice, vivid colors. The painting is not signed but the information on the back side seems completely reliable. The painting itself is oil on board and measures 12” x 18”. It has been recently cleaned and varnished. It is in very good condition with no issues to report. It is housed in a substantial gold painted frame of the period with interesting detailing. Overall framed measurements are 19” x 24”. The frame is in good solid condition with no issues to report, other than expected very minor age-related wear. Note that the photos show some glare from the varnish in places that really doesn’t show in general light. Southern paintings...

Emmanuel Jolicoeur (Haitian, b. 1928) Untitled, c. 1960s Oil on board 23 7/8 x 11 in. Framed: 26 x 13 x 1 in. Signed lower left Emmanuel Jolicoeur was born on Christmas day in 1928 in Port-au-Prince, Haiti, and is the older brother of artist Wilson Jolicoeur. His work can be found in the collection of the Figge Art Museum in Davenport, IA. He was a member of the school Foyer des Arts Plastiques, created by a group of artists who wanted to address and remedy issues plaguing Haitian painters. Jolicouer was known to collaborate with Rene Exume and David Rouzier. In 1967, he moved to the United States, where he has resided since. His paintings have been sold at major auction houses including Sotheby's, and is represented by a number of galleries. He was included in Eva Pataki's book "Haitian Painting...

A very fine offering from the artist using his style of surreal distortion to celebrate the workaday routines of the life in which he is immersed.This is a real reflection of Staffor...

Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS") Oil on canvas, c. 1875-1925 Unsigned Provenance: Found in Ohio A charming American naive nocturn of a hunter and his two ...

This charming early 20th-century English School oil painting depicts the Cannon Brewery at North End, Fulham, owned by John Lovibond & Sons Ltd. Founded in 1867, the brewery was...