Cassandra Jacobs Sculptures

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

"Extra In, Field Flagship (Linea Pictura — Diptych)" is an original artwork by Hyland Mather made of acrylic, ink, string, pins on drop cloth, in tray frames. The diptych measures ap...

At the End of My Rope by John Garrett, 540 x 3 inch, cotton and polyester thread John Garrett was raised in southern New Mexico by parents who were both educators. They instilled i...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Lemon yellow hexagonal clay wall sculpture with a densely textured relief of coiled, braided and candy-like forms, signed on the reverse. In Lemon, Elizabeth Art Candy brings the pl...

Hexagonal gold clay wall sculpture in hand molded ceramic relief designed for modular wall installation. This wall-mounted clay sculpture is composed of hand molded natural clay, low-temperature fired and spray-finished in a metallic gold tone. The surface develops through compact braided strands compressed within a hexagonal structure, creating a dense ceramic relief defined by repetition and tactile accumulation. The gold finish intensifies the sculptural depth of the piece. Rather than functioning as a flat metallic surface, the color interacts with the relief geometry, producing shadowed recesses and reflective highlights. The intertwined clay elements generate a continuous textured field, emphasizing material density and structural cohesion. The hexagonal format establishes a precise geometric boundary that contrasts with the organic flow of the braided forms. This balance between geometry and material fluidity defines the visual language of the work. The sculpture operates both as an independent clay wall relief...

Dusty pink hexagonal wall sculpture in hand-modelled clay, combining braided strands, curled loops and rounded forms in a densely layered relief. In Dusty Pink, Elizabeth Art Candy ...

Maki's work is influenced by early Modernist Abstraction, while her combination of materials and technique make the pieces uniquely her own. This work, in subtle shades of white, gra...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

This piece titled "Mercy Seat" is an original artwork by Jason Andrew Turner made of acrylic on MDF, plywood, acid-dyed linen, foam, and batting. Cut and se...

"A GOOD PLACE" is an original assemblage on panel, featuring multiple acrylic paintings, objects, and collages, by Jim Houser measuring 24"h x 24"w. ABOUT // Jim Houser was born in...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Round red lips clay mosaic wall sculpture in high relief with hand molded and fired ceramic elements. This circular wall relief reinterprets the lips motif through a dense aggregatio...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...