César Baldaccini Lighting

Unique brutalist table lamp, with raw and textured materials, a chunky silhouette and all the colors of a flame, red, amber and ivory - perfect for bringing a bit of mystery and warm...

The Paddle lamp is a small, brutalist-inspired table lamp, perfect for bedside or accent lighting in larger living spaces, created by Streicher Goods in Brooklyn, NY. The lamp feat...

Wonderful sculptural ceramic table lamp by Bernard Rooke ( B. 1938 ). This gorgeous stoneware lamp has been refitted and rewired to current standards and is fitted for a general E27 ...

The Double Decker lamp is a tall, brutalist-inspired table lamp, perfect for lighting in larger living spaces, created by Streicher Goods in Brooklyn, NY. The lamp is composed of a...

The Dome lamp is a brutalist-inspired table lamp, perfect for accent lighting in all spaces, created by Streicher Goods in Brooklyn, NY. The Dome lamp has a cylindrical form with a...

The Hi-Hat lamp is a tall and broad brutalist-inspired table lamp, perfect for bedside or accent lighting in larger living spaces, created by Streicher Goods in Brooklyn, NY. The l...

This French Art Deco table lamp by DAUM (Croismare, France), dating from the 1920s, is a stunning example of the masterful craftsmanship that defined the Art Deco period. Featuring a...

Daum Nancy lamp Art Deco period Origin France Circa 1930 Etched glass, wrought iron Incised and signed on screen and base with Daum Nancy and the cross...

A mid 20th century table lamp with a perforated tole shade fixed to a domed iron base. Dimensions (cm, approx): Height: 50 Diameter: 25 Condition: In vintage condition with notab...

Pair of table lamps by Daum France Crystal lamp base of semi-circular form, with fossil design. The shades are in fine green Silk. Both are Signed 'Daum France.  

An excellent pair of gilded and black abstract brutalist table lamps. Circa 1960. These period lamps have a tremendous presence anywhere whether in the home or office. Constructed fr...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...