Charles Bragg Furniture

Framed, signed poster by Alvin Loving (1935-2005). Below is an excerpt from an online source. Detroit-born Loving earned an MFA from the University of Michigan in 1965. He began hard edge painting of cubes and hexagons in 1967. After his first one-person exhibition at Gertrude Kasle gallery in Detroit in 1969, Loving launched his New York career. Gertrude Kasle provided Loving with letters of introduction to Harold Hart of Martha Jackson Gallery and Steven Wilde and Bert Walker, curators at the Whitney Museum of American Art, where he was given a critically acclaimed, one-person exhibition in 1969. Loving was the first of a group of African-American artists whose work was shown at the Whitney during the 1970s, including Frank Bowling, Frederick Eversley, Melvin Edwards...

Original vintage David Hockney exhibition poster 'New York Film Festival', 1981 Step into the vibrant world of David Hockney, where every stroke of his brush tells a story of boundl...

signed exhibition poster by Joseph Beuys: "Drawings" from the new city Gallery in Linz. The poster was printed in 1985 and was signed by the artist himself as part of the exhibition....

Ben Shahn Jester Exhibition Poster from the 1960's. Framed in possibly an original frame from the period.

Charles Fazzino is an American pop artist, known for his silkscreen serigraphs in a 3D pop art style. His artwork incorporates influence from urban lan...

Silver jubilee exhibition poster of sculpture in Battersea park signed and dated by Henry Moore. England, 1977 There is a similar signed copy of this poster in the collection of the Henry Moore foundation The work in the poster is Moore's "Sheep Piece" The work began as a 14 centimetres (5.5 in) maquette made in plaster in 1969 and then it was cast in bronze - An example of the bronze is exhibited by the Henry Moore Foundation in Perry Green. The maquette was subsequently enlarged to a 142 centimetres (56 in) plaster working model in 1971, which was then cast in bronze in an edition of seven casts plus an artist's copy. The plaster model is Perry Green, and examples of the bronze casts are at the Fine Arts Museums of San Francisco[7] and the Hakone Open-Air Museum.[8] The work was enlarged again in 1971-72 to create a full size bronze...

Vintage New Orleans 1989 Jazz Festival 20 Anniversary Fats Domino Original Poster by Richard Thomas Numbered and framed. Fifteenth in the series by Richard Thomas. As significant a poster in the series as the '76, '80 and '85, Richard Thomas' pop portrait of Fats Domino began a new direction in subject matter, editions and technique. The 20th anniversary of the Jazz Fest marked the first in a still-continuing series of portraits of the people who made New Orleans music...

Pierre Sala created contemporary art furniture. This rare poster is signed by Sala and photograph by Alain Dovifat. Unframed and will be rolled in a tube for shipping. Post modern Me...

"Delphinium" by Eyvind Earle. Limited edition serigraph on paper, 1975. Signed and numbered (61/250). Single estate, purchased from Circle Gallery, Ltd., Chicago. Brushed and polish...

Signed vintage Victor Moscoso exhibition poster Published in conjunction with 'Trippy World' - a 1999 exhibition held at Baron/Boisante gallery, New York. Off-set lithograph Measures: 16 x 20 inches Hand signed in pencil (lower right). Very good to excellent overall condition Signed First printing; 1999; acquired directly from Baron/Boisante. Victor Moscoso was among the most gifted and influential artists to emerge from the '60s counterculture, pioneering not only the psychedelic concert poster designs made famous during San Francisco's Summer of Love, but also making his mark in underground comix. Born in Spain and raised in Brooklyn, Moscoso attended Cooper Union Art School before studying at the Yale School of Art; he arrived on the west coast in 1959 to enroll at the San Francisco Art Institute, and after graduation remained at the school for another five years to teach lithography. Alongside Rick Griffin, Wes Wilson, Stanley Mouse, and Alton Kelley...

A wonderful geometric, abstract offset lithograph by American/California Los Angeles artist Charles Arnoldi. This work is titled "IV" and is from a series of abstract prints...

Louis Icart (1888-1950). Etching on paper. "Départ". Approx. 1920. Visible dimensions: 42 x 30 cm. Total dimensions: 52 x 40 cm. Signed in pencil. In excellent condition.