Charles Dufresne Art

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Figures of Women is an Original China Ink Drawing and Watercolour realized by Charles Dufresne (1876-1938). Good Condition on a yellowed paper, included a white cardboard passpartou...

Loge de Theatre (Preliminary study for a painting) Graphite on paper Signed in pencil lower left Annotated with color notations by the artist (see photo) A early Parisian theme work ...

Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...

Dufresne, Charles. BANJO or MUSIQUE NEGRE. Drypoint, 1921. 9 3/8 x 12 1/2 inches; 237 x 318 mm. Edition of 20 signed and numbered in pencil. In excellent condition. Framed to c. 16 x...

Dufresne, Charles. LE MARIN. Etching, colored with pochoir, 1923. 12 15/16 x 15 5/8 inches (315 x 400 mm.). Edition of 40. Signed, titled and numbered in pe...

Oeuvres sur Papier is a vintage Poster realized for the exhibition of Charles Dufresne in 2001. In the Galerie Claude Guillemot in Paris, from novembre to december 2001. Stamp on a...

Oeuvres Sur Papier is a vintage Offset poster realized for an exhibition of Charles Dufresne's works (1876-1938). The poster is in good condition, and is about the exhibition at Galerie Claude Guillemot in Paris. No signature. Georges-Charles Dufresne (23 November 1876, Millemont - 8 August 1938, La Seyne-sur-Mer) was a French painter, engraver, sculptor and decorator. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American engraver Herbert Lespinasse...

Two Figures is an Original Pen Drawing realized by Charles Dufresne (1876-1938). The little artwork is in good condition, included a white cardboard passpartout (51x35 cm). No signature. Georges-Charles Dufresne (23 November 1876, Millemont - 8 August 1938, La Seyne-sur-Mer) was a French painter, engraver, sculptor and decorator. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American engraver Herbert Lespinasse...

Le Bois is an Original China Ink Drawing realized by Charles Dufresne (1876-1938). The artwork is in good condition on a yellowed paper, included a white cardboard passpartout (51x35 cm). Hand-signed by the artist on the lower right corner. Georges-Charles Dufresne (23 November 1876, Millemont - 8 August 1938, La Seyne-sur-Mer) was a French painter, engraver, sculptor and decorator. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American engraver Herbert Lespinasse...

Composition is an Original China Ink Drawing realized by Charles Dufresne (1876-1938). The artwork is in good condition on a grey paper. No Signature Georges-Charles Dufresne (23 November 1876, Millemont - 8 August 1938, La Seyne-sur-Mer) was a French painter, engraver, sculptor and decorator. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American engraver Herbert...

Figures is an Original China Ink Drawing realized by Charles Dufresne (1876-1938). The artwork is in good condition on a yellowed paper, included a white cardboard passpartout (51x35 cm). No signature. Georges-Charles Dufresne (23 November 1876, Millemont - 8 August 1938, La Seyne-sur-Mer) was a French painter, engraver, sculptor and decorator. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American engraver Herbert Lespinasse...

Le Sacrifice d'Abraham is an Original China Ink Drawing realized by Charles Dufresne (1876-1938). The artwork is in good condition on a grey paper, included a white cardboard passpartout (51x35 cm). Hand-signed by the artist on the lower right corner. Georges-Charles Dufresne (23 November 1876, Millemont - 8 August 1938, La Seyne-sur-Mer) was a French painter, engraver, sculptor and decorator. He was more attracted to painting, however, and began making pastels at Café-chantants and circuses and guinguettes, in the manner of Toulouse-Lautrec. His first exhibition came at the Salon of the Société Nationale des Beaux-Arts in 1903. Following that, he and his close friend, the American engraver Herbert...

Charles Dufresne (1876-1938), Chasseurs de Lion (The Lion Hunters), etching, aquatint and drypoint, 1921, signed in pencil lower right and numbered (40/40) lower left [also signed in the plate lower center]. Reference: Thomas Dufresne 39. In very good condition, with full margins, on an ivory/tan laid Arches paper, with a (partial) Arches watermark. 11 3/4 x 14 7/8k, the sheet 14 5/8 x 21 3/4 inches. Published by Editions Sagot, with the blindstamp of Edmund Sagot Lugt 2254) bottom margin. A fine rich impression, printed in a brownish/black ink, with substantial drypoint burr. The Lion Hunters is a tour de force of printmaking. Dufresne skillfully utilizes a range of techniques including etching, drypoint, aquatint and perhaps even soft-ground etching. Dufresne’s stunning composition in The Lion Hunters of course shows the influence of both cubism and Parisian School – after all he was born in France and studied at the Edole des Beaux Arts – but it also shows the influence of the years he spent in Africa, and his origins as part of a seafaring family. In 1910 he won the Prix de l’Afrique du Nord...