Charles Frederick Tunnicliffe Art

Mid Century oil on canvas view of the Moorish arch in the Plaza de Zocodover in Toledo, Spain by Louis Léo Hourdille. The painting is signed and titled to the back of the canvas. Ho...

"Summer 2025" is an animalistic landscape by Lilia Volskaya. Let's start with the shape of the canvas, which is a hexagon, which is unusual, isn't it? The canvas is painted black. Th...

"Tense," a thought-provoking piece by Rudolf Kosow, presents a surreal interplay between a colossal bulldog and a diminutive baseball player. The dog's face, detailed with astonishing realism, conveys a palpable intensity through its piercing gaze. The size disparity between the dog and the player underscores a narrative ripe with anticipation. The baseball player, clad in traditional attire, stands with bat at the ready, embodying a moment of concentration and readiness. This portrayal of the player, so starkly contrasted against the vastness of the bulldog's features, evokes a feeling of an undercurrent of suspense, as if the outcome of this encounter balances on a knife-edge. Through "Tense," Kosow delves into the theme of confrontation and the moments that precede action. The artwork captures the stillness before the storm, the quiet before the play, offering a metaphor for life's high-pressure situations where individuals face larger-than-life challenges. The painting invites reflection on the psychological interplay between fear and courage, the small against the mighty, and the personal tenacity required to stand firm in the face of overwhelming odds. "Tense" is not just a snapshot of a surreal encounter but a broader commentary on the emotional landscapes we navigate when confronted with formidable obstacles. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Francis Sartorius British, (1734-1804) Bay Hunter & Groom Oil on canvas, signed Image size: 24.25 inches x 29.25 inches Size including frame: 32 inches x 37 inches A wonderful spor...

English 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and by ...

A painting by Alexander Calder. "Mickey Mouse" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, yellows, and oran...

Rare 1980 Hunt Slonem painting. The artist has painted - literally - thousands and thousands of bunnies (and almost as many birds and butterflies), but you won't easily find the li...

In "Best Friends", the painter suggests the idea of a giant pet dog remaining reliable and comforting for the man, regardless of his giant-size. keywords; surrealism, animals, dog, ...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

Alfred Duke British, (c1860-1905) Over the Hedge Oil on canvas, signed Image size: 13.5 inches x 20.5 inches Size including frame: 20.75 inches x 27.75 inches An animated sporting...

'Painter in the Jardin de Luxembourg, Paris', pastel on fine art paper, French School (1919). An intriguing depiction of a hatted-woman dressed in white at her easel in the park. A b...

David Burliuk (Ukrainian, 1882-1967) Three figure on the beach (Hamptons, Long Island New York) Conte crayon drawing on paper. Hand signed lower left. Unframed Provenance: Bloomsbury Auctions David Davidovich Burliuk (Дави́д Дави́дович Бурлю́к; 1882-1967) was a Russian poet, artist and publicist of Ukrainian origin associated with the Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism." David Burliuk was born on 21 July 1882 in the village of Riabushky (near Lebedyn, Ukraine) in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai and Volodimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent. From 1898 to 1904, he studied at Kazan and Odesa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted character was recognized by Anton Azhbe, his professor at the Munich Academy, who called Burliuk a "wonderful wild steppe horse". During a time of significant industrialization and political change, movements such as the famed Der Blaue Reiter, a group Burliuk associated with in 1912, while he was in Munich, emphasized a shift away from the classical styles of the past, prioritizing the innovations of the future. In 1907, he made contact with the Russian art world; he met and befriended Mikhail Larionov, and they are both credited as being major forces in bringing together the contemporary art world. In 1908, an exhibition with the group Zveno ("The Link") in Kiev was organized by David Burliuk together with Wladimir Baranoff-Rossine, Alexander Bogomazov, his brother Volodymyr (Wladimir) Burliuk and Aleksandra Exter. The exhibition was a flop, especially because they were all unknown painters. The Burliuks and Larionov left for the aforementioned brothers' home in Chernianka, also known as Hylea; it was during this stay that their work became more Avant-Garde. That autumn, while visiting Ekster, they organized an exhibition which took place in the street; it was a success, and enough money was raised to go to Moscow. In 1909, Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks...