Charles Kinghan Interior Paintings

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

A still life of Native American pottery, moccasins, and fur, that was likely arranged during one of the artist's many trips to New Mexico and California. This painting embraces th...

A small sketch by American Impressionist, Ben Fenske. Painted on site at a local pub, Ben Fenske sketches out an incoherent bar scene. Perhaps the obscurity of forms is a nod to the ...

Two artichokes lay beside two lemons in this academic still-life painting. Dark hues and low light create that old-renaissance feeling. Edward Minoff Graduated with honors from NYU'...

James Roy Hopkins Interior of Église Saint-Sulpice, Paris, 1908 Signed and dated lower left and inscribed "Paris" Oil on canvas 17 3/4 x 14 3/4 inche...

An American Still Life of an Apple, Pear and Grapes Oil on canvas on board Signed illegibly circa late 1800s 9 3/4 x 5 7/8 (16 x 12 3/4 frame) inches This is an example of late 19...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Pietro Zola (Italian, Contemporary) The Lunch Date Oil on canvas, circa 1990 Signed lower left Pietro Zola is celebrated for his luminous Mediterranean scenes, capturing the eleganc...

Realistic still life painting of persimmons by Texas artist Drexel Caraway McNay (1910-1989). The work features a bowl overflowing with persimmons set against a dark background. Sign...

A fine impressionist painting of figures dancing by American artist Wayman Elbridge Adams (1883-1959). Adams was born in Muncie, Indiana, studied at the Herron Art Institute in India...

Glorious and fun small still life celebration where color, in blue, green, pink and gold, reigns. In excellent condition. Signed and titled by artist.. Mimi Jensen uses bold colors to depict theatrically lit objects. Her paintings invite speculation into possible metaphors – California Home+Design magazine Ms. Jensen is a Still Life painter who is inspired by her ideas and observations. Jensen’s education and early work experience were eclectic – Bachelor of Arts in Psychology, Speech Therapist, Technical Editor, and even an Airline Analyst to satisfy her desire to travel. Eventually she returned to graduate school to follow her dream of studying art. While still a graduate student in drawing and painting she was selected for her first commercial gallery show, which led to subsequent exhibitions and launched her professional career as a painter. She has exhibited widely in the U.S., has been featured in numerous publications – American Art Collector, California Home+Design, Fine Art Today, Professional Artist, Southwest Art, The Artist’s Magazine – and for the past 20 years she has been represented by galleries in San Francisco, Boston, Santa Fe, and other cities. The painting is 12 x 12...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...