Charles Le Roy Candelabras

Very fine quality Louis XVI style gilt bronze and Malachite three-piece clock and candelabras clock set. The dial signed" Raingo Fres A Paris".

3-Piece French Louis XVI-style (19th Century) rouge marble and bronze dore clock set with Pair of candelabra. (18"high candelabra) (PRICED AS SET)

An Egyptian Revival Black Marble Clock Circa 1860s made by the renowned clock and jewellery makers Hamilton and Inches of Edinburgh with Royal ...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

A Garniture de Cheminee by Japy Freres et Cie Constructed in two color gold ormolu, comprising a richly decorated mantle clock and two candelabra in ...

Egyptian revival mantel clock & garniture set, early 20th century. Circular white sunken dial with black Arabic numerals and brass sunburst with two train movement set in a polished black slate and stepped rouge marble case...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

Stunning, French Transition style mantel clock from the 1850s. This wonderful and meaningful Parisian mantel clock is a rare 19th century edition of a...

An Egyptian revival timepiece in a gilded and bronzed case. The four pillared eight day movement with a cylinder escapement is housed in a drum case, mounted behind a crisp white ena...

A highly unusual 19th Century Egyptian Revival Mantel Clock. Wonderful design architectural clock case with pagoda top, made of high quality red marble and black slate, all exquisite...

Egyptian Revival Bronze and Marble Mantel Clock Egyptian revival mantel clock housed in a polishes black slate and marble stepped case, decorated with winged uraeus and hieroglyphs, surmounted by a patinated bronze sphinx wearing nemes and resting on lions paw feet. Enamel dial with Arabic numerals and original ‘blued’ steel hands. Eight day French movement with anchor escapement striking the hours and halves on a silvered bell. The backplate signed Societe Clusienne S.C.A.P.H. Cluses and numbered 4144. C.1870 Societe Clusienne were based in Cluses near to the Swiss border in France. The case attributed to G.Servant Georges Emile Henri Servant ( 1828-1890) succeeded his father at their foundry at Rue Vieille-du-Temple, Paris in 1855. He specialised in the production of Neo-Egyptian style clocks. He was noted for the high quality of his bronzes at both the Paris Universal Exhibition 1855 and the London Exhibition in 1862. Many of his clocks were exported to the United States where his Sphinx clocks...