Charles Lindsay Photography

This stylish artwork, 'Gloves & Handbag' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintage vibe. This artwork featured in...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

TECHNICAL INFORMATION Schiller, Lawrence Marilyn Monroe Birthday Cake 1962 / 2007 Silver Gelatin Print 30 x 40 in. Edition of 75 Signed & numbe...

For several years in the 1970s Leonard Freed worked alongside members of the New York police department, documenting the gritty reality of life on the beat...

Joshua Tree National Park an extremely interesting rural landscape, made famous through its popularity in pop culture. Here, the Joshua Tree captured in the Mojave Desert at dusk whi...

Street Photography was a true love of Art Shay as is clearly evident in this 1949 Vintage Photo of a street transaction. The photograph is matted and framed in a simple black metal ...

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Gestures (Stranger than Paradise) Edition 1/5. 12 pieces, 48x46 cm each, installed: 207x155 cm. 12 Analog C-Prints, hand-printed by the artist, mounted on Aluminum with matte UV...

Irving Park Tree, Study 2, Portland, Oregon, USA by Michael Kenna presents a sublime scene. A single tree stands alone in the park, framed by the bright le...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Blue symmetry guides your eyes out to sea in this photograph by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print from negative, accompanied by a signed and numbered certificate of authenticity. We recommend the print is professionally framed. This artwork is available in other sizes and it pairs well with Richard Heeps artworks in our 1stdibs store. "Richard Heeps' seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter - be it cool descriptive interiors, still life or landscape. His distinctive style pushes the limits of photography." He is a film-based photographer, using a range of vintage analogue cameras. He considers himself to have three studios, the external studio of whichever location he may be shooting, his darkroom where I make my master prints and his home studio where he does the postproduction where the artworks are mounted framed and finished. He aims to make accessible artwork without compromising on quality and making everything in house he is in control of each step to achieve that. Although he was brought up in East Anglia (England), he was heavily influenced by America. he visited American bases, kept magazine cuttings and followed drag racing. The speed, lifestyle and technicolour is reflected in his imagery. 'American' colour is a major aspect in his work, it drives his equipment and material choices. At age ten he began participating in art shows and became comfortable with showing his work and the praise and criticism which is part of an artists development. In his early paintings Manhattan was reoccurring theme, fascinated with New York. Throughout his professional career he has been lucky enough to exhibit in Museums and Public Galleries since the 1980's. Since 2008 his gallery Bleach Box...

Lights of Mong Kok, Kowloon, Asian architecture photograph by Richard Heeps. The artwork captures the spirit of walking the streets in Hong Kong, the overwhelming buzz of the compet...