Charles Méryon was a French engraver, painter, draftsman and poet. He lived an adventurous life and traveled often as a Marine before dedicating himself exclusively to engraving from 1848. He engraved 72 plates on Paris, some of which, like Tour de l’Horloge, published by the important Parisian magazine L’Artiste. He realized mainly architectures, seascapes, scenes with ornithological subjects and some portraits. His prints are characterized by a rigorous game of intersecting lines, by a precision deserving of a naval draftsman, by a bold chiaroscuro with dramatic effects and romantic fantasies. He often included captions in verses in his engravings.
Rue De Toiles, Bourges
By Charles Meryon
Located in Middletown, NY
Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...
Laid Paper, Drypoint, Etching
$1,000
Bain-Froid Chevrier; Chevrier's Cold-Bath Establishment, "School Baths", Paris
By Charles Meryon
Located in Middletown, NY
Etching with engraving on cream laid Hudelist paper with a large indicative watermark, 5 1/8 x 5 5/8 inches (130 x 143 mm), full margins. From the edition of only 50 impressions prin...
Laid Paper, Etching, Engraving
Tourelle, Rue de la Tixéranderie démolie en 1851
By Charles Meryon
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Laid Paper, Etching, Drypoint
"Passerelle du Pont au Change" original etching
By Charles Meryon
Located in Henderson, NV
Medium: original etching. The complete title is "Passerelle du Pont au Change apres l'incendie de 1621". Catalogue reference: Delteil/Wright 50. This composition shows the footbridge...
Etching
"Tourelle rue de L'Ecole de Medicine 22" original etching
By Charles Meryon
Located in Henderson, NV
Medium: original etching. Printed on chine-collé paper by Pierron Montfaucon and published in Paris in 1861 by Gazette Beaux-Arts. Plate size: 8 1/2 x 5 inches (213 x 132mm). Signed ...
Etching
"Passerelle du Pont au Change" original etching
By Charles Meryon
Located in Henderson, NV
Medium: original etching. The complete title is "Passerelle du Pont au Change apres l'incendie de 1621". Catalogue reference: Delteil/Wright 50. This is a view of the footbridge whic...
Etching
The Pavilion de Mademoiselle and Part of the Louvre
By Charles Meryon
Located in Middletown, NY
A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil. Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression. [Delteil & Wright 9; Schneiderman 12]. A note on the provenance: Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...
Handmade Paper, Laid Paper, Etching
Le Ministere De La Marine
By Charles Meryon
Located in New York, NY
Charles Meryon (French, 1821-1868), "Le Ministere De La Marine", Landscape Etching, 7 x 6.38 Interior Matte ( 20.25 x 16.25 In Matted Frame), Mid 19th Cen...
Etching
Un Coin de Cuisine - Etching by Charles Meryon - 1870s
By Charles Meryon
Located in Roma, IT
Un Coin de Cuisine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size:24x31. Good conditions. Realized for the "Société des Aquafortistes. Born on the i...
Etching
LE STRYGE
By Charles Meryon
Located in Portland, ME
Meryon, Charles. LE STRYGE. D.23, S.27. Etching, 1853. 6 3/4 x 5 1/4 inches; 171 x 130 mm., with wide margins. Schneiderman's Seventh, Delteil's Sixth state (of 10), or possibly an i...
Etching
Le Petit Pont Etching, Realist Style, Circa 1850, Signed, State III
By Charles Meryon
Located in Roma, IT
Signed on plate with the Monogram of the artist “CM”. Original Prints. State III/III Passepartout included : 60 x 40 cm Image Dimensions : 24.5 x 18.5 cm
Etching
City Landscape - Original Etching by C. Meryon - 1866
By Charles Meryon
Located in Roma, IT
City Landscape is an Original Etching realized by Charles Meryon in 1866. The artwork is in good condition included a cream colored cardboard passpartout (35.5x46 cm). No signature...
Etching
La Pompe Notre Dame Etching, Old Masters Style, Circa 1850
By Charles Meryon
Located in Roma, IT
This original etching is titled and dated on plate. Monogram of the artist "MC" on higher right margin. Edition of 30 prints, 9 State. Very good conditions. Charles Méryon was a Fre...
Etching
Tourelle de la Rue de la Tixeranderie - Etching by C. Meryon - 1852
By Charles Meryon
Located in Roma, IT
Tourelle de la rue de la Tixeranderie is an original Modern Artwork realized in the half of the 19th Century by Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). Original Etching. Fine impression printed by the artist. II/III state on V. Total dimensions: 24 x 12 cm. Passepartout is included. Excellent conditions of sheet. Reference: Salimbeni no.163; Schneiderman n. 24; Delteil n. 29. Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868). He was a French artist who worked almost entirely in etching, as he suffered from color blindness. Although now little-known in the English-speaking world, he is generally recognized as the most significant etcher of 19th century France. His most famous works by him are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also suffered from mental illness, dying in an asylum. Meryon had sketched in Athens, Algiers and other exotic places he had visited, and by late 1840 decided to take lessons in drawing from the Toulon...
Etching
René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I
By Charles Meryon
Located in Middletown, NY
Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...
Laid Paper, Engraving, Drypoint, Etching
François Viète
By Charles Meryon
Located in Middletown, NY
François Viète, Seigneur de la Bigotière (1540–1603), is known by mathematicians as the “Father of Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (...
Handmade Paper, Etching
LE PONT AU CHANGE
By Charles Meryon
Located in Portland, ME
Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...
Drypoint, Etching
Ministère de la Marine - Etching by Charles Meryon - 1870s
By Charles Meryon
Located in Roma, IT
Ministere de la Marine is an artwork realized by Charles Meryon in the 1870s. Etching. Image size: 17x14 Good conditions. Realized for the "Société des Aquafortistes. Born on th...
Etching
La Tour de L’Horloge (The Clock Tower, Paris)
By Charles Meryon
Located in New York, NY
Charles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with engraving. Reference: Schneiderman 23, Delteil 28. Third state (of 10). On very thin Jap...
Engraving, Etching
Pierre Nivelle, Bishop of Lucon
By Charles Meryon
Located in New York, NY
Charles Meryon (1821-1868), Pierre Nivelle, Bishop of Lucon (1584-1660), 1861, etching on tin, after an engraving by Michel Lasne (1590-1667). Reference: Schneiderman 76, (fifth stat...
Etching
$2,750Sale Price|21% Off
H 7.13 in W 5.25 in D 0.5 in
The Gargoyle and His Quarry
By John Taylor Arms
Located in Plano, TX
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Drypoint, Etching
$575
H 23 in W 18.88 in D 1.75 in
18th C. Portrait of Edward Stanley from Henry VIII's Court after Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of "Edward Stanley" created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty". Edward Stanley, 3rd Earl of Derby...
Engraving, Etching
$660
H 7.76 in W 10.83 in D 0.04 in
The Horseshoe Etching and Watercolor Print, Signed, 1943, Contemporary
By Luigi Bartolini
Located in Roma, IT
The Horseshoe is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in 1943. Etching and watercolor. Original title: Il ferro di cavallo Hand-signed, t...
Etching, Watercolor
The British Evacuate Boston - 1932 Etching on Paper
Located in Soquel, CA
The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...
Laid Paper, Etching
$800
H 19.25 in W 10.75 in
View From Bridge, Abstract Colored Etching, 1958, 19.25 x 10.75 in
By Jack Bilander
Located in New York, NY
Jack Bilander (Polish/Amercan 1919-2008) , "View From Bridge" , Abstract Colored Etching/ Aquatint, 19.25 x 10.75, Mid-Late 20th Century, 1958 Colors: Black, White, Red Jack Biland...
Etching, Aquatint
$1,680
H 16 in W 20 in D 0.25 in
Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Ink, Etching, Laid Paper
Building a Babylon, Tudor City, NY.
By Martin Lewis
Located in Plano, TX
McCarron 76. 12 7/8 x 7 7/8 (sheet 16 5/8 x 12 1/4). 6th trial proof (McCarron records 84 impressions including 4 trial proofs). Illustrated L'Amérique de la Dépression: Artistes En...
Etching, Drypoint
$875
H 26.5 in W 20.13 in D 1 in
Holbein Hand-colored Portrait of Warham, Archbishop of Canterbury for Henry VIII
By (After) Hans Holbein The Younger
Located in Alamo, CA
This framed hand colored stipple engraving and etching portrait of William Warham, Archbishop of Canterbury under King Henry VII and his son King Henry VIII was created by Francesco Bartolozzi (1728–1815) after a drawing and a painting by Hans Holbein (1497-1543), who was Henry VIII's court painter. The print was published in London by John Chamberlaine in 1795. The print was created utilizing stipple engraving and etching techniques by the Italian artist Francesco Bartolozzi, who was employed as the royal engraver by King George III of England. The publisher, John Chamberlaine, was Keeper of the King's Drawings and Medals. The inscription beneath the portrait reads" "In His Majesty's Collection", "Engraved by F. Bartolozzi R A Historical Engraver to His Majesty'' in the lower right, and ''From an original drawing by Hans Holbien'' in the lower left. The original painting by Holbein is displayed at Lambeth Castle and the original drawing is in the art collection at Windsor Castle. The engraving is held by many museums, including: The British Museum, The Metropolitan Museum of Art, The National Portrait Gallery, The Chicago Art Institute and The Fine Arts Museums of San Francisco. This portrait depicts Archbishop William Warham facing to his right, wearing a black cap covering his ears and fur trimmed clerical robes. The print is presented in a decorative gold-colored wood frame with a blue-grey fabric mat. The frame measures 26.5" x 20.13" x 1". The print is in excellent condition. William Warham (1450-1532) was the last of the pre-Reformation archbishops of Canterbury, serving under King Henry VII and then under King Henry VIII. He was a quiet, unassuming intellectual whose career ended with a strong and brave stance against the divorce of King Henry VIII and the king's resultant withdrawal of England from the Catholic church and his draconian actions against the clergy. As Lord Chancellor...
Engraving, Etching
$649
H 21.66 in W 14.18 in D 0.04 in
Surprise Etching by François Chifflart, Modern Style, 1860s, Unframed
By Eugène Delacroix
Located in Roma, IT
Surprise is a black and White etching realized by François Chifflart in the 1860s. Titled in the lower. Image size: 24x32. Very good impression with wide margins and a very fresh...
Etching
Manhattan Mountains
By Lawrence Wilbur
Located in Plano, TX
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...
Drypoint, Etching
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Drypoint, Etching
$1,080Sale Price|20% Off
H 12.25 in W 19.375 in
FORK -TAIL PETREL - PLATE CCLX from Audubon's Famous "THE BIRDS OF AMERICA"
By After John James Audubon
Located in Santa Monica, CA
JOHN J. AUDUBON (1785 – 1851) FORK-TAIL PETREL - PLATE CCLX Audubon, John James. FORK-TAIL PETREL - PLATE CCLX OF "THE BIRDS OF AMERICA by John James Audubon. From the "Double Eleph...
Etching, Aquatint
Sold
H 11.03 in W 8.86 in D 0.08 in
The Little Bridge - Original Etching by Charles Meryon - 1850s
By Charles Meryon
Located in Roma, IT
The Little Bridge is an Original Etching realized after Charles Meryon (1821-1868). The artwork is in good condition included a white cardboard passpartout (51x35 cm). No signature...
Etching
San Francisco
By Charles Meryon
Located in Plano, TX
San Francisco. 1855-56. Etching on steel, based upon photographs. Delteil-Wright catalog 73; Schneiderman catalog 54 state iv (with lettering). 9 1/2 x 39 1/4 (sheet - sight size 8 1/8 x 38 1/2). frame 16 x 45 1/2). Printed by A. Delâtre in an edition of 100. A rich lifetime impression printed on laid japan paper. A rich, bright impression in good condition. Provenance: Property from the Credit Suisse Americana Collection. Signed and dated in the plate. Annotated in the plate, "Imprimée chez A. Delâtre, rue du Fbg Poissonnièr 145, Paris." The etching is elegantly presented in a silk mat with a gold liner and a 16 x 45 1/2-inch gold leaf frame. In the spring of 1856 from François Louis Alfred Pioche (1818-1872), a banker, investor and art collector, who traveled between his native Paris and his adopted home of San Francisco. Pioche had made his fortune in San Francisco, but was back in Paris seeking investors for his rapidly growing American business interests. Poiche asked Meryon to create a panoramic landscape of San Francisco, although the artist had never been there. For inspiration, he was given a five-daguerreotype panorama of the city (now in the Art Institute of Chicago), from which five large paper photographs were made for his use. While much of the landscape was copied directly from the photographs, Meryon added a cartouche to the center foreground with allegorical figures of Abundance and Labor, as well as portrait medallions of Pioche and his partner Jules B. Bayerque. The etching took nearly a year to complete. Meryon pulled the first proofs in September and finished some time that winter. San Francisco was a point of interest in Europe after the gold rush of 1848, as people from within America and abroad rushed to California to seek their fortune. The population grew rapidly, forcing the city to expand haphazardly with narrow streets that survive to this day. The large title cartouche is supported by river gods who appear to be holding sieves, a reference to the activity that was making the city rich. Meryon depicts San Francisco as a bustling yet still growing metropolis, rife with opportunity for the investor. There is almost empty farmland in the foreground, followed by a jam-packed cityscape, and ending with a busy port-scene densely populated with cargo ships. The symbols of California's wealth, gold mining equipment...
Etching
La Morgue
By Charles Meryon
Located in New York, NY
Charles Meryon (1821-1868), La Morgue, 1854, etching, fourth state (of 7), printed in brown/black ink, Schneiderman 42 [with the inscription, date, address in the plate]. 9 3/4 x 8 ...
Etching
Le Petit Pont (the Small Bridge, Paris).
By Charles Meryon
Located in Plano, TX
Etching and engraving. Delteil-Wright catalog 24 state .v/vii; Schneiderman catalog 20 state .vi/ix.Image: 10 3/8 x 7 3/8 (sheet 13 x 9 1/2). Edition of 600 for L'Artiste (vol IV #...
Engraving, Etching
Le Stryge
By Charles Meryon
Located in Fairlawn, OH
Initialed in the plate Bibliography: Loys Deltiel with Harold J. L. Wright, Catalogue Raisonne of the Etchings of Charles Meryon (New York: Winfred Porter Truesdell, 1924), 23/v/VIII