Charles Motte Art

Original lithograph, linen backed. Vetements Forchic. Pour Lui; Elle a Choise. Archival linen-backed vintage French fashion poster in fine...

Printed in 1975, this poster features the encounter between an alluring woman dressed in red, and a man with his back to the viewer. The light of a streetlamp is beautifully imitated...

Jean Dubuffet - Original Lithograph from XXe Siecle magazine 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Unsigned and unumbered as issued

after Henri MATISSE (1869-1954) Lithograph Signed in the plate Vélin Paper Dimensions: 32 x 24 cm (12 x 9") This lithograph is one of a rare edition made during the Second World War ...

Behold the original lithographic Petty Pin-up, a unique vertical-format piece. The see-through bathing suit she wears seems to make her glow, especially with her red hair peeking fro...

Work by Alicia Wiencek (Mrs. Edward Fiene) is generally extremely scarce. This print comes up from time to time and was made an actual edition (of 8) at a time when many artists didn...

Chaim Topol in Fiddler on the Roof (Hand signed by Chaim Topol and the original cast members), 1990 Offset lithograph poster (ink signed) Hand signed in ink by Chaim Topol, Marcia Le...

Original poster: QUAND LE RIRE ETAIT ROI. ( When Laughter Was King.) Artist: Boris Grinsson. French smaller format vintage movie comedy printed in 1960. Archival linen backed ...

Lucille Fink creates slightly bizarre, densely drawn spaces. Signed, titled, and numbered '19,' in pencil. Annotated on the reverse, "June, 1932, week of 6-10-32, last wk of school."...

Lucille Fink creates densely drawn compositions, often a little off-beat. Signed and titled. Dated on the reverse.

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

Joseph Hirsch had such empathy for his subjects! But he was also an amazingly skilled lithographer who could get extremely delicate details out of the stone. Signed and numbered in p...