Charles Paillet Sculptures

María José de la Macorra (México, D.F., 1964) realizó sus estudios en la Escuela de Cerámica y Porcelana de Toluca, Mokichi Okada Association,...

Georges Lavroff, Russian (1895 - 1991) - Tigre à l'affût, Year: circa 1925, Medium: Bronze sculpture on marble base, signature inscribed at base, Size: 4.5 x 21 x 4 in. (11.43 x 5...

Fine Quality Austrian Cold-Painted Bronze of a Bedouin Group This captivating late 19th to early 20th-century sculpture captures the essence of Bedouin life in exquisite detail. The ...

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

ADRIANO CECIONI (Italy, 1836-1886).Bronze sculpture of a boy with a rooster. Signed ADRIANO CECIONI, Firenze Dimensions: 24" h. ADRIANO CECIONI (Italy, 1836-1886). Italian sculpt...

H Moreau (1869-1943) Female Figural Bronze statue of a Beauty with her Lute Young woman with her lute in the French countryside. She stands beside a tree stump with a scarf draped ...

A very rare bronze cast of racing greyhounds, by Otto Hofner (1863-1939). An old cast with a dark brown shaded patina. On a bronze stepped plinth. Signed Otto Hofner. A cast by Erdgi...

Cabaret, so evocative of cabaret-style shows, was a costume design for a 1940 production entitled 'Dream Waltz' by Oscar Strauss, based on a novella from 1905 by Hans Müller-Einingen...

Erté created many costumes and artworks inspired by his travels and experiences with the countries and cultures of the Asian world. In addition, the French music halls which were an ...

Bronze sculpture by the Italian-American sculptor Jessica Carroll Diameter cm 80 + iron base, kg 110 (pure bronze). Jessica Carroll's elegant and uni...

The inspiration for this sculpture comes from Erté's original costume design entitled "Texas," for the 1917 New York stage production of "The American Millionaires." This spectacular...

Erté, considered by many as the “Father of Art Deco,” often acknowledged that his love for the theater was a great source of creativity and inspiration. He conveyed in his art a drama with which he lived his life – a dream that came from the very innermost expression of his soul. Just like theater has two faces - comedy and tragedy - Erté was a brilliant showman, as well as a quiet man who sometimes would prefer to be left alone. From a young age, he was immersed in the world of opera, ballet, and theater. When he designed costumes and sets for theatrical productions, it was a lifelong desire that he was fulfilling. “Broadway’s in Fashion” is a fitting tribute to the legendary Broadway from a man who pursued the theatrical in everything he did. In 1978, Erté was honored by the Eugene O’Neill Foundation at a gala celebration in New York entitled “Broadway’s in Fashion” for which Erté designed the poster. This led to a CBS-TV film on Erté narrated by the legendary Diana Vreeland, and an exhibition of his costume designs at the Boston Center of the Arts. This sculpture, in scarlet and black, with white gold embellishments, incorporates the elements for which Broadway is best known. Her elegant and confident posture reveals her costume, which is itself an homage to Broadway – the scarlet robe with gold tassels evokes the stage curtain as it rises to reveal the first act, the male and female dancers, energetically giving their all for each performance, and the Greek masks of comedy and tragedy...