Chin H Shin Art

Rick Pas Urban Coyote Acrylic on panel 24h x 30w in 26.75h x 32.75w in framed RPA003 ARTIST'S STATEMENT Creating is an addiction. With all the highs and lows you would expect. I am interested in the surface textures and creating paintings that portray them in realistic detail. Hopefully a viewer will feel they can run a hand over the feathers and moss, or grasp an object in the painting. This detail is usually composed in an abstract design. The design can occur naturally or be arranged by me. The subjects of my paintings are usually based on the patterns and textures of nature and human interaction with nature. I have found subjects to paint in remote wilderness areas of the world, local parking lots, and my own backyard. EDUCATION Eastern Michigan University, Ypsilanti, MI Bachelor of Fine Arts Pearson Art Scholarship COMMISSIONS AND COLLECTIONS Alliance for the Great Lakes, Chicago, IL Ameritech, Detroit, MI Charles S. Mott Foundation, Flint, MI General Motors Corporation, Detroit, MI Leigh Yawkey Woodson Art Museum, Wausau, WI Potter Park Zoological Society, Lansing, MI SELECTED PUBLICATIONS "Rick Pas From moths to modern-day life." Southwest Art, January 2016 "Interpreting nature." American Art Collector, September 2015 "Abuzz About Bugs." The Artist's Magazine, July/August, 2015 The Lusitania Conspiracy, Walters Media LLC, Traverse City, MI, 2015 (cover illustrator) "Layer Upon Layer." The Artist's Magazine, July/August, 2011 "Rick Pas: Touchable Texture." Acrylicartist, Fall, 2010 "Competition Spotlight." The Artist's Magazine, April, 2009 "Holland show features art inspired by nature." The Grand Rapids Press, July 27, 2008 "Don't Miss 'Natural Eye' exhibit at HAAC." The Holland Sentinel, June 12, 2008 "Softening the definition of landscapes." American Art Collector, May 2008 "Nature is in the Details." The Artist's Magazine, October, 2007 "Nature's Surfaces and Textures." Whisper in the Woods, Summer, 2007 "Arizona Best of the West-Animal Art." Southwest Art, May 2007 "Cover Competition Finalists." American Artist Watercolor, Spring, 2007 Pintores de la Naturleza, SEO/Birdlife, Madrid, 1997 (illustrator) "A Dark, Dark Day Indeed." Audubon, March, 1988 (illustrator) "Wildlife Artist of the Year." Michigan Out of Doors, December 1987 (article & cover illustrator) "Music in the Men's Room." Audubon, July, 1985 (illustrator) "Bird Art Takes Wing at Wausau." Milwaukee Journal, September 11, 1983 "Wildlife Artist of the Year." Michigan Out of Doors, December 1982 (article & cover illustrator) AWARDS Art Renewal Center Salon 2015-2016, Honorable Mention - Animal category Art Renewal Center Salon 2014-2015, Third Place - Animal category The Artist's Magazine Art Competition Finalist, 2006-2010, 2014 Art Renewal Center Salon 2012-2013, Honorable Mention - Animal category Society of Animal Artists Patricia A. Bott Award for Creative Excellence 2011 Art Renewal Center Salon 2009-2010, 2010-2011, 2012-2013, 2014-2015 Finalist Society of Animal Artists Award of Excellence 2010 Art Renewal Center Salon 2009-2010, Second Place - Animal category American Artist Cover Competition Finalist, 2007 Fraser Gallery, Georgetown International Honorable Mention, 2003 Arts for the Parks Region III Award, 1992 Indiana Migratory Bird Stamp Design, 1985 Michigan United Conservation Clubs' Wildlife Artist of the Year, 1982,1987 SELECTED EXHIBITIONS 2017 William Baczek Fine Arts, Northampton, MA, Animal Kingdom William Baczek Fine Arts, Winter Lovetts Gallery, Tulsa, OK, Red 2016 William Baczek Fine Arts, 20th Anniversary Exhibition William Baczek Fine Arts, Summer William Baczek Fine Arts, Landscape Exhibition Monroe Community Church, Grand Rapids, MI, ArtPrize Ann Nathan Gallery, Chicago, IL, Group Exhibition Lovetts Gallery, Cauldron 2015 William Baczek Fine Arts, Landscape Exhibition William Baczek Fine Arts, Summer Part 1 JW Marriott, Grand Rapids, MI, ArtPrize Handwright Gallery, New Canaan, CT, Small Works Ann Brierly Gallery, Winnetka, IL, Ann Nathan Gallery Satellite Exhibition RJD Gallery, Sag Harbor, NY, A Magical Menagerie 2014 William Baczek Fine Arts, Spring William Baczek Fine Arts, Landscape Exhibition 2013 Canton Museum of Art, Canton, OH, Environmental Impact (Exhibition national tour locations include: The R.W. Norton Art Gallery, Shreveport, LA Kalamazoo Institute of Arts, Kalamazoo, MI Roger Tory Peterson...

“Inner Shore” is a space where light and silence meet to support inner balance. It holds no boundaries, yet provides a subtle anchor, allowing one to exist in their own rhythm withou...

The factories of Art Chartow's "Double Overtime Shift" represent strength, industrial might, and the ability to vanquish nature. This place is strange, sinister and forbidding yet at the same time beautiful and fragile. The artist's uses paint to express the power of light at this particular time of day. The winter sun has cast it's light onto the cold metal silos to bring some hope of warmth - as seen on the melting snow covered road. This contemporary realist painting is framed in a simple black wooden frame measuring 23.25h x 45.25w inches. Arthur Chartow Double Overtime Shift oil on canvas 22h x 44w in 55.88h x 111.76w cm ACH014 Arthur Chartow b. 1951, New York, NY Education 1972-74 M.F.A, Cranbrook Academy of Art, Bloomfield Hills, MI 1968-72 B.F.A, Carnegie – Mellon University, Pittsburgh, PA. Selected Exhibitions 2019 Earth Wind Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Place: Select Works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL 2017 Scene Change, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2016 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 80th Annual Midyear Show, Butler Institute of American Art, Youngstown, OH 2015 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2012 City Streets II, George Billis Gallery, New York, NY 2010 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2009 Selections, Ann Nathan Gallery, Chicago, IL 2006 Ann Nathan Gallery, Chicago, IL The Four Seasons, Sherry French Gallery, New York, NY Gallery and Invited Artists, Sherry French Gallery, New York, NY Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2005 Mainely Maine, Sherry French Gallery, New York, NY 45th Annual Greater Michigan Art Exhibition, Dow Museum of Science and Art, Midland, MI 2004 Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Arthur Chartow: Quiet Places, Sherry French Gallery, New York, NY 2003 Mainely Maine, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Flowers in February, Sherry French Gallery, New York, NY 2002 Art of Collecting, Flint Institute of Art, Flint, MI Arthur Chartow: At Water’s Edge, Sherry French Gallery, New York, NY The Four Seasons, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Land and Water, Art Placement...

'I Loved You Once' is an oil painting by the American artist Deirdre Schanen. Schanen's works weave between non-objective abstraction and representative landscape painting. This exam...

Seven deadly sins are the seven vices that spur other sins and further immoral behavior. First enumerated by Pope Gregory I (the Great) in the 6th century and elaborated in the 13th ...

Seven deadly sins are the seven vices that spur other sins and further immoral behavior. First enumerated by Pope Gregory I (the Great) in the 6th century and elaborated in the 13th ...

Seven deadly sins are the seven vices that spur other sins and further immoral behavior. First enumerated by Pope Gregory I (the Great) in the 6th century and elaborated in the 13th century by St. Thomas Aquinas, they are pride, greed, lust, envy, gluttony, wrath, and sloth. Each of these can be overcome with the seven corresponding virtues of humility, charity, chastity, gratitude, temperance, patience, and diligence. It is clear that as a subject matter, David Becker prefers the seven deadly sins to the virtues! David Becker Sloth oil on watercolor paper 31h x 22w in 78.74h x 55.88w cm DB0008 David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

This untitled work by Jesús Villalpando (aka Feng) is colorful in its composition with it's thickly applied paint and rapid brushstrokes. The work is effortless, if not completely i...

The Great Cyclone of St. Louis On Wednesday, May 27, 1896, shortly after 5 p.m., there occurred a major outbreak of tornadoes across the central and eastern U.S., lasting two days. A funnel cloud destroyed a path one mile-wide and ten miles long through America’s 4th largest city. In 20 minutes, “the Cyclone” killed an estimated 255 people, left thousands homeless, and caused over 10 million dollars-worth of damage across St. Louis and East St. Louis. To this day, it remains the deadliest incident in the city’s history. Eric Edward Esper After obtaining my BFA in Illustration from Northern Michigan University in 1996 I relocated to Chicago to pursue my artistic endeavors. Here, I began exclusively oil painting and have assembled a body of paintings chronicling scenes of Chicago done primarily in plein air. Capturing parts of the city’s landscape during its cultural evolution had been my way of conveying history as a painter. My fascination with landscapes and history has led me to create oil paintings of scenes that have affected us in dramatic ways. Recently I have begun painting aerial views of locations that have interesting historical significance, encapsulating true stories that are hard to imagine and harder to forget. My latest paintings capture these places and depict them with historically accurate attention to detail. Using various sources I recreate these scenes with as many photographs of every angle of the incident and research the stories, submersing myself in the event. My newest body of paintings depicts events with a more historically tragic significance, depicting scenes of the darkest hours in America’s Midwest history, where the landscape became the backdrop for tragedy and calamity. These events that irrevocably altered so many lives are important to remember, not only for the people lost and how it affected our culture, but also to remind us that disaster can occur at any time, anywhere. Eric Edward Esper EDUCATION 1995 BFA, Illustration, Northern Michigan University, Marquette, Michigan SELECT EXHIBITIONS 2013 Chicago Catastrophes, Conflagrations, and Calamities, Solo show, Linda Warren Projects, Chicago, Illinois 2012 Group show, Metropolitan Capital Bank, Chicago, Illinois 2012 Ten year anniversary show, Sulzen Fine Art Studio, Chicago, Illinois 2010 Group show, Concordia University, River forest, Illinois 2009 Holiday Show, Sulzen Fine Art Studio, Chicago, Illinois 2008 Somewhere, Elsewhere, Group show, Linda Warren Gallery, Chicago, Illinois 2008 Scene in Chicago, Group show, Judy Saslow Gallery, Chicago, Illinois 2007 Holiday Show, Sulzen Fine Art Studio, Chicago, Illinois 2007 Cityscapes, Solo Exhibition, Oculus Gallery...

Motion Capture #9 explores the conventional representation of females in Western figurative art yet contrasting it with the contemporary imagery of that subject via computer-based im...

Artist Statement—Motion Capture Studio Series. Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction...

Leaning Forward, Contemporary Figurative Abstract with Primary Colors A bold and bright color palette is used to depict shapes and forms that come together to form an abstracted fig...