Christian Techoueyres Tables

This is a 1970s Italian gilt metal faux Bois glass top coffee table in the manner of Maison Jansen. Each leg is very heavy and could easily support a different size glass. The piece ...

This mid-century bronze and glass coffee table or cocktail table is attributed to Jacques Quinet. The renowned twentieth century French designer drew his inspiration from the neoclassical aesthetic in architecture and interpreted it in his own simplified style. The four straight legs of this small coffee table are made of solid bronze with a rounded profile and rise slightly above the inset curved glass top...

1960s modern brass and steel base with glass top coffee table in the style of Maison Jansen.

Maison Jansen Brass and Nickel Coffee Table, France 1970s

Maison Jansen, Hollywood Regency, Faux Bamboo, Brass, Tray Top Table A chic bronze faux bamboo table, the tray top with handles raised on a folded base. Stamped Jansen Industria, Ar...

Substantial and gorgeous sculptural console table in the style of Diego Giacometti. Table base is cast aluminum with a bronze finish and beautiful glass top. A very clean, minimal...

Mid-century bronze coffee table designed and manufactured by Daniel Gluck in the United States circa 1970s. The captivating oval glass top rests gracefully upon a meticulously sculpt...

Hollywood Regency chrome table w/ sleek curved faux bamboo brass accented legs / brass ball finials at four top corners / brass ball finial at center of crossed stretchers of legs / ...

Brass etched coffee table by Christian Heckscher, crafted in Belgium during the 1970s. A key piece from a living room set that includes two matchin...

Designed by noted designer Guy LeFevre who worked extensively with Maison Jansen in the 1970s, this table is one of his signature works. The top is wood with and features deep drawer...

This coffee table was designed by Guy Lefevre for Maison Jansen. The structure is in brass and the top in mirror. This piece is in good vintage condition.

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...