Claude Joseph Vernet Paintings

This special large drawing on wood board (ready to hang) created by Shizico in early autumn where her Cat and the garden take centre stage. The pictorial language in this series pays...

Title: French Village Street Scene Ink Wash Architectural Drawing Bernard Labbe Artist: Bernard Labbe (French mid 20th century) Medium: Ink and wash on artists paper, unframed Size: ...

Title: Panoramic Classical Ruins Landscape Pen Ink Drawing Artist unknown Medium: Pen and ink on paper, mounted Size with mounting: 8.75 x 14.25 inches (height x width) Panoramic Cla...

Title: Modernist Landscape Colour Ink Drawing Trees Field Church Spire Study Medium: Coloured ink on artists paper, unframed Size: 9.75 x 6.75 inches (height x width) Condition: good...

A historically important watercolour painting, Calcutta 1841 Francis Meynell (1821-1870) Calcutta from Garden Reach; HMShip Calliope Saluting Watercolour on paper Date: 1841 Signe...

OSKAR BERGMAN (1879–1963) Sweden BAGGENSFJÄRDEN, STOCKHOLM, 1922 signed and dated lower right pencil on paper unframed 18 × 26.5 cm (7.1 × 10.4 in) framed 23.5 × 32 cm (9.3 × 12.6 ...

French Barbizon School watercolour on paper view of a church tower in a landscape by Henri Clamen. The painting is unsigned but was acquired from the artist's atelier with other sign...

VERY IMPORTANT DRAWING BY JACQUES DUMONT called « LE ROMAIN" (Paris 1701-1781) Preparations for the fireworks display held in Piazza Navona in Rome on November 30, 1729, for the bi...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

French Barbizon School watercolour on paper view of a church and its tower in a landscape by Henri Clamen. The painting is unsigned but was acquired from the artist's atelier with ot...

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...

Mediterranean hill village study, pen and ink (20th century) Pen and ink with colour accents on paper, unframed. Size: 9.75 x 6.25 inches (height x width) Unsigned. Condition: good v...