Claudia Meyer Abstract Sculptures

Challenger consists of a replica of the escape hatch from the NASA space shuttle installed as if it has fallen from the sky and flattened a Canada P...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box...

Intertwined . Sculpture made by plaster and painted with acrylic and spray paint. 20H x 40W x 13D About the process: From a mesh I begin to create the forms of the sculpture, without previous ideas, I let myself be carried away by the curves and counter curves that are generated. Once this process is finished, there are many layers of material to give body and strengthen the work. Then comes the polishing and finally the painting. It takes me a long process to finish the sculpture. My work combines aspects of architecture, the urban environment, bright graffiti colors, and a duality of structure with chaos. Curves, illusory perspectives, geometry, and urban symbols are among some of the tools I use in making my work. Innovation with materials is a key component as I have used plaster...

Yoshiyuki Miura was born in Fukuoka, Japan, in 1958. In 1985, he graduated in sculpture art from the Tokyo National University of Fine Arts, he then mo...

Blue Flying Waves Abstract, Modern, plexiglass, set of Wall Painting Sculptures 2021. These small sized sculptures are part of the Waves series. They are painted with acrylic paint, spray paint and pastels. They are sculpted by hand using heat as a method to make the plexiglass moldable. This include a set of four Wall sculptures Mixed media on Plexiglass, hand sculptured. Blue/turquoise are the predominant colors but also a vibrant palette with yellow, orange and red are adding light to the sculptures. The total size of the installation will depend on the design of the sculptures. Super simple installation system with magnets that allows you to change places very easily. Sculpture's sizes: 13H x 12W x 3D 11H x 13W x 3D 14H x 8W x 2 1/2D 9 1/2H x 8W x 2 1/2D The set of four sculptures...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

My sculpture, "Luminous Black Waves," is a unique piece that I created using plaster and acrylic and spray paint. I assembled it onto a wood base covered with aluminum, giving it a modern and sleek appearance. To make it even more striking, I backlit the sculpture with an LED light box...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

From the series Vegetable Choreographies Textile composition in metal structure, textile print and multicolor cotton wire - a beautiful contrast between the complementarity of the...

LUMINOUS BLACK WAVES . A sculpture made by plaster and painted with acrylic and spray paint is assemble to the wood piece creating a unique peace illuminated from behind with a LED light box...

Flying Luminous Waves . 2022 These small sized Painting Sculptures are part of the Waves series. This mixed media wall sculptures are painted with acrylic paint, spray paint and past...

In a statement Roesch says: "The spires describe my journey on the planet. I have placed spires in rows, in star patterns, and in random placement. The spires in Random placement are...