Cleto Munari Sterling Silver

Antique silver cup or large Decorative food or fruit cup, pressed, cast and chased. Circular, curved feet with hinged. unstamped, tested with the scratch test, Height 14cm, Width 31c...

Neo-Renaissance Nickel Silver Pedestal Bowl by Adolf Braese, Stockholm, circa 1913–1922 This exceptional Neo-Renaissance nickel silver pedestal bowl is a distinguished example of ea...

Elegant bracelet in 925 sterling silver and blue and yellow enamel inclusions like the Ukraine flag, stamp with Gucci and the silver mark and designed by Antonio Fallaci.

Glass decorative plate is an original decorative object realized in the 1970s. Original art glass. Fumé glass. Made in Italy. The dish is decorated with several geomtrical l...

In this listing you will find an iconic Maple Leaf by Gianmaria Buccellati done in sterling silver. The piece is hand-finished and hallmarked on the underside. This iconic leaf bowls...

A beautiful set of Eva Hidström highly collectable sterling silver handmade and hammered bowls with colourful enamel on the inside. Rarely on offer as a s...

Silver napkin holder is an object realized in 1970s.  Silver, handmade. d 6 cm. Good conditions!

Italian silver box raised on 4 feet, 1970s Italian silver box in curvy octagonal shape with repousse design of flowers and scrolls The purity de...

Antique silver cup or large Decorative food or fruit cup, pressed, cast and chased. Circular, curved feet with hinged. unstamped, tested with the scratch test, Height 15cm, Width 41c...

Sack-shaped sterling silver vase or bowl. The vase was completely handmade starting from the sterling silver plate, skilfully modeled until it took the shape of a sack. The body wa...

Vintage Mid Century Modern Silver Plated Lotus Flower Petal Decorative Bowl. Circa Late 20th Century. Measurements: 4.5" H x 8.5" W x 8.5" D.

Amazing mid-century silver plate serving plate. Gio Ponti designed and signed this astonishing item for Cleto Munari in Italy during the 1980s. The flat and efficient design on two round levels, make this piece simply irresistible and iconic for midcentury lovers. This piece will smarten a midcentury living room or minimal and chromed bar. This wonderful piece is in very good condition. Dimensions (cms): Diameter - 32 Giovanni “Gio” Ponti, (Milan, November 18, 1891 - Milan, September 16, 1979), is one of the Italian masters of architecture. He was also a designer and essayist and one of the most important of the twentieth century. Other than the great architectural works which carry his unmistakable signature, he created a vast amount of work in the furniture sector. This is demonstrated in his three Milanese houses which were fully furnished in the "Ponti" style. The houses in via Randaccio, 1925, Casa Laporte in via Brin, 1926 and the last in via Dezza, in 1957 is an "expression" of his home design ideas. Gio Ponti was an Italian promoter of industrial design and introduced the idea of interior furnishing ranges produced as being a "sophisticated," economic, "democratic" and modern. Molteni&C managed a reissuing project of furniture and furnishings designed by Gio Ponti for products for these private homes and limited editions. After a long journey of research, selection and study of prototypes, the collection was exhibited at the Salone del Mobile 2012. This was thanks to the cooperation and the exclusively signed agreement of the Ponti heirs and the artistic director of Cerri & Associati Studio. Gio Ponti graduated in Architecture at the Polytechnic of Milan at the end of World War I, after he fought on the front line earning military decorations. In 1921 he married Giulia Vimercati, with whom he had four children: Lisa, Giovanna, Letizia and Giulio. In 1927 he opened a studio in Milan with the architect Emilio Lancia. From the beginning of the 1920’s until 1938 he worked with Richard-Ginori Manufactory and renewed its production. In 1928 he founded the Domus magazine with Gianni Mazzocchi. In 1933 he became the artistic director of Fontana Arte which was another success after the one he obtained with Richard-Ginori. In the 1930’s he participated in the Triennale exhibitions and later he successfully managed a few of them. From 1936 to 1961 he was a professor at the Milan Polytechnic, and in 1933 was associated with Antonio Fornaroli and Eugenio Soncini, until 1945. From this partnership major projects were born, including the Montecatini Palace in Milan from 1936 to 1938, in which Ponti created the "integral design" of the building and the interiors. Other works of the period were civil architecture, including the Littoria Tower in Milan in 1933, school buildings such as the School of Mathematics at the University City Rome in 1934 and the Humanities Faculty and the Rectorate of the University of Padua in 1937. There were also residential projects such as Casa Marmont in 1934 and Milan "Domus" from 1931 to 1936. The richness of the artistic production of Cleto Munari, arises out of the discovery that every boundary is undefined, and the consequent need to create a “collection about syllables” or rather a “collection of figures” which, because of their incompleteness, luminously suggest the irrepressible quest of man’s intelligence to transfigure the world, according to his own vision. It is this a perfect complicity between the whisper of the “heart...