Clyde Burt Urns

Ivory Textured Hand Made Ceramic Vase signed by the artist. This vase, with large handles and textured surface is a study in scale and presence. This vase will be a standout in your ...

Degener worked in a variety of media - painting, drawing, words - but pottery was her great love. She won numerous awards for her ceramics beginning with the Young Americans competit...

This Handmade Organic Ceramic Vessel captures the raw beauty of nature in its form and texture. The piece features an earthy, irregular surface that ev...

Kawa Series Large Vessel 05 Oversized white ceramic vessel with textured porcelain exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, a...

Sandra Zeenni “Turquoise Vase Wa”, 2014. Stoneware vase with matte turquoise glaze. Signed SaZe. Based in Paris, Sandra's work has been included in museum exhibitions, recen...

Monumental ceramic bulbous vase with greens and yellows throughout. Vessel measures 13" diameter and 26" high.

Beautiful ceramic vessel by Tim Keenan.

Ceramic vessels by Jim Kraft. One vase is 8.5" W x 7.5" D x 8.5" H. The other is 8.5" W x 8.5" D x 8.5" H. Jim Kraft received his BA in Ceramics from Nort...

Nicholas Bernard spiral ceramic vessel in various and sundry shades of blue circa early 2000’s.

From a series of fashion-inspired ceramics by Thom Lussier, hand-crafted exclusively for Cafiero Select. Smooth glaze and matte, crackled finish create ...

Studio Ceramic Vessel Designer: Marked

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...