Conrad Buff Portrait Paintings

This vibrant contemporary painting titled "Always Together" depicts two women paddling together in a boat on the sea and is part of my dedicated series on "Women." This piece celebr...

Portrait of Francisco de Reynoso y Baeza.   Secretary of Pope Pius V, abbot of Husillos and bishop of Córdoba. Francisci de Reynoso. Early 17th century. Small-format portrait from the late Renaissance period. Spanish school. Size: Cm 19 x Cm 13.5 Oil on wooden panel. On the back the fine tablet is strengthened (already in ancient times) by a sheet of parchment. About 1600-1610. As often in Mannerist / Late Renaissance portraits, the image of the character is accompanied by the writing that runs at the top, adding a celebratory, historicising touch to the effigy. Let's bring back the sentence here: DON FRANCISCO DE REINOSO. CAMARERO SECRETO IESCALCO PIO QUINTO OBISCOPO CORDOBA. 68 (? O 7?) (1534, Autillo de Campos, Spain - 1601, Córdoba) Francisco de Reynoso was a Spanish cleric, chief chamberlain, and secretary to Pope Pius V, abbot of Husillos, and bishop of Córdoba. He was the fourth of eleven children. His father was the seventh Lord of Autillo de Campos, and his mother was Juana de Baeza y de las Casas, daughter of Manuel de Baeza, a lawyer of the Royal Council and at the Court of Valladolid. Francisco de Reynoso was deeply devoted to the Virgin Mary and showed a strong inclination toward religion and piety from an early age. He studied Latin, arts, and theology at the University of Salamanca. In 1562, he traveled to Rome with his brothers Pedro and Luis. In January 1566, following the death of Pope Pius IV, Cardinal Antonio Michele Ghislieri was elected pope, becoming Pius V. From this period until Ghislieri's death in 1572, Francisco de Reynoso served as his chief chamberlain and secretary. After Pope Pius V died, Francisco de Reynoso returned to Spain and lived for several years in the city of Palencia, where his brother Manuel was a canon. He supported the Society of Jesus when it was established in Palencia, providing alms to the school's clergy and funding chairs of Letters and Theology at his own expense, as well as donating a significant number of books. During the brief outbreak of the Black Plague...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by...

My artwork "Woman in a Red Blouse" is part of my ongoing series dedicated to celebrating the essence of women. In this painting, I aim to capture a tranquil moment where a woman is ...

Rene Genis (French 1922-2004) “Enfant A La Collarette” The Child in the Collart. Portrait of a disturbing young man with a rather defiant, petulant look in his expression. Dark eye...

I enjoy working on impressionist artworks with an expressive touch. This artwork makes part of one of my favorite series dedicated to women whom I always want to represent as strong,...

Masri (Lebanese-Italian, 1965) 'Light Keeper' 2022 Oil paint, magazine paper, mixed media, canvas, stretcher bars The artist signed the painting on the back and bottom left. 'Light ...

Portrait PS 113 Technique: oil, acrylics and ink on thick paper (430g) 48x36cm ■■ 18.9x14.2 in ⏩》-------------------SHIPPING -----FLAT----------------《⏪ 🟢 → Original signed work....

Masri Hayssam (Lebanese, born 1965) "Her" 2022 Oil and acrylic paint on paper adhered to a stretched canvas Signed on the bottom right and back of the painting. "Her" by Masri captu...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by...

I enjoy working on impressionist artworks with an expressive touch. This artwork makes part of one of my favorite series dedicated to women whom I always want to represent as strong,...

Portrait PS 195 This portrait presents a striking female figure rendered in a bold, expressionistic style that merges figurative precision with gestural spontaneity. The central gaz...