Constantin Alajalov Paintings

Judd Mercer (American, b. 1982) "Red Sentinel," 2019 Gouache on Strathmore 400 mixed media paper mounted to Aquabord 5 x 7 in (12.7 x 17.78 cm) Location: Boulder, Colorado Framed. A...

Early 20th Century European School, view of the city, with buildings in the background, gouache on paper unsigned in a beautiful custom made Haydenryk frame under glass.

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

An interior scene of industrial America where workers kept the production of steel going in Pittsburgh, Pennsylvania. This detailed and atmospheric painting shows the hard work and ...

Late 19th-century Dutch unframed genre painting by Bernardus Johannes Blommers (1845–1914), executed in gouache on paper mounted on board. Signed Blommers in lower left hand corner. ...

Machine Age Industrial WPA Era American Scene Social Realism Mid 20th Century Jo Cain (1904 - 2003) Elliot 17 ¼ x 35 ¾ inches Gouache on board, c. 1930s Signed lower left 27 x 46 in...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Original Illustration Art for General Electric Calendar, Tags on verso Deftly rendered in a post-impressionist style . Signed lower right Simple period wood frame - work could benefit from a new frame. Terpning has done movie posters for Doctor Zhivago, Cleopatra, Gone with the Wind and Guns of Navarone...

This intimate studio interior from 1930 belongs to the more psychologically engaging side of Carlo Hornung Jensen’s oeuvre. A seated woman has paused beside her easel and turned towa...

A striking, 1950s Mid-Century Modern Surrealist architectural scene / set design by notable French stage, costume and fashion designer, Andre Delfau (1914-2000). Titled "Britannicus...

Fabulous illustration depicts a costume for Mae West in Broadway production of Diamond Lil, 1951.. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches ...