Costanzo Mongini Art

Summertime Lady can be commissioned. You can have it with the black finish or painted Ferrari Red. I've cast it in a pale green patina for a pool in Bermuda. Outstanding focal point ...

Europe & Zeus (divine love) Europa the daughter of the Phoenician king of Tyre, Agenor and Zeus in love in the shape of the bull. Bronze, on onyx pedestal Signed: Bruno Zach

The Griffin Marco. Patinated bronze. Marble base. Signed and titled. Charles Valton was a French sculptor known for his works created in the animalier style, a 19th-century movement ...

The Classic Lady bronze was cast from a wood carving. She is David's most petite sculpture. Movement and grace with the twist at the waist and tilt of the head. She can add beauty to...

David Hostetler carved the wood original for this bronze casting in 1960. He used an exotic wood board he obtained at the Brooklyn Naval Yard. You only notice the narrowness of the o...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

David Hostetler's iconic female form. The polished bronze surface is sealed with Glasurit- a car finish, so it never needs to be polished. It is edition number 2/12. He has a dramat...

This beautiful cast bronze elephant head is a protome, which in ancient art was a decorative element consisting of a head - sometimes with part of the bust - of a human, animal, or f...

This bronze sculpture is an exquisitely detailed representation of the god Dionysos, whose cult was one of the most popular in ancient times. Here, the god is nude, with a mantle that gently lies on his right leg. He is holding a bunch of grapes with his left hand, and a rhyton (drinking horn) with the right. The god is youthful and joyfully gazes forwards, with a crown of ivy leaves set upon his long flowing hair. These features clearly resemble those of the life-size Roman marble sculpture of Dionysos exhibited at the British Museum, acc. no. 1861,0725.2 . This statuette was probably part of a larger composition and used as a decorative element applied to a piece of furniture. Its finely wrought details, as well as the attractive olive-green patina led to its inclusion in the collection of the Fitchburg Art Museum for thirty years. PROVENANCE English Private Collection (Sotheby’s, London 17-18 July 1985, Lot 204) Royal Athena...

Hermann Rastorfer was a draftsman, painter, sculptor, illustrator, ceramist, designer, poster artist, developer of advertising concepts and communication campaigns, inventor, and architect. He began as a typesetter in Salzburg. In the mid-1950s, he moved to Germany, where he soon founded his own studio for graphic design and advertising. His goal was always to give each product a distinctive, highly recognizable appearance. He designed his own design line for the German pharmaceutical company Boehringer Ingelheim, artistic cover images for numerous paperbacks from renowned publishers, and packaging for well-known products such as Ferrero Küsschen, Mon Chéri, Martell cognac...

PROVENANCE Herbert A. Cahn (1915-2002), Kunst der Antike, Basel, 1988 Private Collection, Paris

A nineteenth-century cast of Antoine-Louis Barye's Le cheval demi-sang arabe (no. A125-Poletti; A148-Pivar), with nice patina. Poletti and Richarme, Barye: ...