Craig Lueck Paintings

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Zinnia Bouquet" series. Through a masterful blen...

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Poppies" series. Through a masterful blend of we...

This enthralling artwork "Lavendar fields of Provence" is a testament to the expressive potential of impressionistic techniques. Rendered with bold, dynamic brushstrokes, the paint...

Dina Nath Walli (1908–2006) Almond Blossom, Kashmir Watercolour on Board c 1960 Framed size: 42.8cm x 52.8cm Image size: 27.5cm x 38cm Signed and dated 1970 on the verso, gifted fro...

Abstract Watercolor N.8 by Dmitry Samygin Minimalist and geometric paintings. Technique: Watercolor Color: Teal blue Size: H. 35.5 x 27.5 x 0.1 cm Dmitry Samygin is a Furniture a...

Rosarian, 2026 (After Van Gogh) is Shizico Yi's latest work, inspired by the lost seventh painting from Vincent van Gogh's celebrated Sunflowers series, often referred to as Six Sunf...

This artwork commands attention with its vibrant and dynamic use of color and form, creating a visually striking composition. At the center of the piece there is a vase combining blu...

Night Roses-Rosarian, 2026 is Shizico Yi's latest work, inspired by her new rose garden with a nod to the visual language of Japanese woodblock print. In this series, Yi further ex...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while savouring for the summer left behind. Reflecting on the vibrant days spent painting en pl...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...