Crouse-Hinds Decorative Objects

Beautifully forged in solid brass, these nautical anchors have a classic aesthetic that is ideal for coastal and nautical décor but can easily translat...

From a decommissioned Japanese ship, black Seiko analog clocks with brushed nickel faces. Battery mechanism updated and an easy opening on the back side. ...

A stylish nautical - maritime pen holder made from an old small boat propel. Everything made from solid brass. Rotating/adjustable holder. European, probably English, made cirka 1950...

Mid-century pink and green long-legged "Searcher" flamingo ceramic figurine. The statue detailed a pink flamingo with long legs, a slim, tall form searching the grassy field. It come...

Antique Nautical Tyfon Brass Foghorn Malmo Sweden Kockums Mek Verkstad This antique Tyfon nautical brass foghorn originated in Malmo, Sweden, specifically from the Kockums Mek Verks...

Woodland Wonders: A Fine Pair of Ralph Wood-Type Stag and Hind Figures Late 18th Century This charming pair of late 18th-century pearlware pottery figures represents a classic example of the Staffordshire animal models that became highly fashionable during the reign of George III. The set features a stag and a doe, both depicted in recumbent, naturalistic poses atop verdant, rocky mounds after a model by John Voyez. The bases are meticulously decorated with applied shredded clay to simulate the texture of moss or undergrowth, a technique that adds a tactile dimension to the artisanal quality of the pieces. Both figures are finished with the soft, translucent colored glazes characteristic of the Ralph Wood family, with warm ochre and manganese tones highlighting the form of the animals against the vibrant green of the grass. The stag is particularly striking with his dark, multi-pointed antlers and alert expression, while the doe is modeled with a gentle, turned head that suggests a moment of quiet repose in the English countryside. The use of lead glazes in this manner allows the earthenware body to shine through, creating a luminous and sophisticated aesthetic that was a significant advancement in pottery decoration during this period. These figures were likely intended for display on a mantlepiece or in a dining room cabinet, bringing a touch of the picturesque landscape into the Georgian home. Dimensions Stag: 6 1/2 inches (16.51 cm) high, 6 1/4 inches (15.88 cm) wide, 3 inches (7.62 cm) deep Hind: 5 1/4 inches (13.34 cm) high, 6 1/10 inches (15.49 cm) wide, 3 inches (7.62 cm) deep Condition Report The figures are in good antique condition, with the glazes remaining notably clear and vibrant. There is a pinhead sized frit to the back of the each ear of the hind. Provenance Maryland Private Collection Reference: See pair of very similar form at the MFA (Museum of Fine Arts, Houston), The Bayou Bend Collection, gift of Miss Ima Hogg, Object number B.56.21.1,.2 and another pair in The Met, Object Number: 44.39.60. A similar pair can be found in the Metropolitan Museum of Art, from the Marion E. and Leonard A. Cohn Collection, Bequest of Marion E. Cohn, 1966, Object Number: 66.64.24 Literature F. Partridge, Ralph Wood Pottery...

Beautiful and Minimalist Jewelry box. This rare beauty is a unique box or decorative box that brings minimal shape with organic beauty. Constructed of wood panels that have been ligh...

Vintage Hermes Anchor - Nautical - Boating Paperweight 1960´s. This Hermes Anchor paperweight is a distinguished vintage desk accessory, crafted from chromed metal, from around the ...

A towering three foot tall abstract bronze figurative sculpture, ca. 1970s, by the highly respected Santa Fe artist Robert William Hinds.

A Very Fine and Impressive Bohemian 19th Century Vienna-Style Neoclassical Revival Style Pirkenhammer Porcelain Vase - Urn. The ovoid shaped finely painted all around body with allegorical scenes representing 'The Search for Love', with one side depicting a pensive maiden seated on a rock form by the seashore, the opposite side depicting a maiden, also seated by the seashore, being visited by a love-cupid (cherub or angel), flanked by a pair of finely detailed double-headed snake-form 24 carat gilt handles centered with mask terminals, raised on an attached circular gilt, cream and blue Celeste decorated plinth. Stamped with an underglaze black printed crossed hammers mark and further mark "O.P.C.N. / RAD" to the underside. The associated and later domed cobalt-blue, cream and gilt decorated porcelain cover-lid with a cream and gilt bud finial, not original to the vase. Signed "Al Eckardt". Circa: Bohemia, 1890-1894. The porcelain painter A. Louis Eckardt is mentioned by Waltraud Neuwirth, Porzellanmaler-Lexicon (1977), Vol. I, p.251 as working from the Prager Strasse in Dresden in 1894. The Bohemian Pirkenhammer factory was founded in 1803, and in the second half of the 19th century the factory was exporting to Vienna and London. The Prikenhammer marks on these vases show they were made after 1887, and it is therefore likely this vase can be dated between the time of the introduction of the mark for this Bohemian factory, and the time Eckhardt returned to Dresden in 1894. Eckhardt is also recorded as a painter of Berlin plaques. The Pirkenhammer porcelain factory was established in 1802 in Karlovy Vary using...

Vintage white porcelain Limoges nautical cachepot / tureen. Oblong shaped footed tureen with gilt rope handles perfect for your shell collections. Underg...

A set of height-adjustable candleholders for regular sized candles. Designed by the danish engineer Peter Seidelin Jessen for his own company Delite during the 1980s or 90s. They are...