Daniel Hughes Art

Jim Rey b. 1939. Original oil on canvas painting with custom frame. 18 x 24 canvas size. This work was painted in 2004, at a most expressive time in Rey's career. From the artist's...

Figurative Nude Study - Watercolor and Charcoal on Paper Watercolor and charcoal painting of a nude reclining woman by acclaimed bluegrass musician and San Francisco artist Katherin...

Shadow of Light - Nude Figurative Study with a Bottle of California Wine Abstract expressionist watercolor and charcoal painting depicting a nude woman lounging by acclaimed bluegra...

"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...

“Portrait of a North African Man, 1872” by August Holmberg (1851-1911) This striking oil painting by the German painter, August Holmberg, depicts a richly detailed and intimate port...

Jack Hooper "Green Nude 2" c. 1980s Acrylic paint on magazine page 9"x11.5", black wood gallery frame float mount 11"x14" Signed in pencil lower right Hooper's distinctive approach to artistry is exemplified by his ingenious use of acrylic paint on a magazine page, where elements of the original page subtly peek through the layers of vibrant color. This technique adds an intriguing depth to the composition, blurring the boundaries between reality and abstraction. Jack Meredith Hooper (August 26, 1928 - January 24, 2014) was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters...

This intimate oil painting presents a young boy viewed from a three-quarter rear angle, caught in a quiet, reflective moment. The child’s back is turned gently toward the viewer, ren...

ROBERT KENNETH WHITE – "SANCTUARY IN FEATHERS" ⚜ Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display HUMANITY AND HARMONY “Sanctuary in Feathers” captures a poignant moment ...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

An ordinary scene of a woman walking down a sidewalk in the rain is elevated to a little gem of a painting. American life is captured in this Clyde Singer painting, Puddle Jumper (...

ROBERT KENNETH WHITE – "UNBOUND ELEGANCE" Oil on Canvas ⚜ Signed and Dated Lower Left ⚜ Frameless Display A LUXURIANT STUDY IN MOTION AND FORM Robert Kenneth White’s Unbound Elegan...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...